vivdunstan

I'm going to be using this for self reading properly soon, but was just having a look through it, seeing the style, and also assessing the package as a whole. I bought this deck some years ago, after I discovered it existed. Erin Morgenstern designed this Tarot deck at the same time she was writing The Night Circus book.

The theme is Victorian / gothic / whimsical / magical, though based firmly on the Rider-Waite-Smith standard ideas and designs. The art is painted in black and white acrylic, with many greys. There are often animals on the cards, especially cats and dogs. Numbered cards have full designs. The overall feel will be familiar to readers of The Night Circus.

The card stock is very thick, possibly overly so, making shuffling the cards in the hand harder than it might be. The deck comes in a well designed and practical box, complete with a guidebook. The guidebook includes many interesting ideas for spreads, as well as guides to the meanings of the individual cards.

A nice package, and I'm looking forward to trying this deck out properly for readings.

P.S. I had looked at this deck briefly a year ago, but am now more familiar with Tarot card meanings, and in a better position to use the cards properly.

Here are my three main reads at the moment: "Our Mutual Friend" by Charles Dickens (an umpteenth time reread), "Eerie East Anglia" collection of weird/spooky short stories from the British Library, and Esmie Jikiemi-Pearson's fantasy / timey wimey / space epic "The Principle of Moments".

Just binge watched - at a bit of speed in places! - the last 3 episodes of Wednesday season 1. Martin is also now watching it, though a bit behind me. It's been odd for him seeing snippets that he'd already seen me watching, and learning where they fit into the story! Anyway yes, I'm all watched up. He should be soon. A second season has already been filmed.

It's very much a teen drama, but I liked an awful lot about it. Especially the gothic feel. Jenna Ortega did a great job. I was also surprised just how dark the last few episodes were in terms of content. But yes, very much enjoyed, and looking forward to the second season.

Pondering what Christmas book or books to read shortly. And though I've read it before, several times, I think "The Dark is Rising" by Susan Cooper has to go on the list. A festive delight of old magic, good versus evil, and adventures across time. Definitely worth another look this festive season.

Just read this, for my book club. It's an incredibly short read. It took me just 11 minutes to read the main story in the book, and 4 more minutes to read the author's afterword.

There were elements I liked. The illustrated small hardback book (and I lucked out by chance getting a signed one) is a gorgeous item. The illustrations are beautiful. And there is a sense of magic and winter running throughout. Some very nice animal elements in the book.

But it feels like the first draft of the start of a story that needed much more depth and especially length. I think if it had been improved in that way it could have been something incredibly special. As it is it is disappointing me and the other book club members who've read it.

The author's afterword is interesting, and worth reading. But if anything it just highlights how slight the main story is. For example the afterword discusses other wintry stories in the lyrics of Kate Bush songs. And those sounded far more interesting than what I just read ...

I am glad I read it. But equally glad I still have loads more to go in my first (and leisurely) read of Jonathan Strange & Mr Norrell. Because I'm enjoying that way more than I did this.

Rating 2.5/5, or generously rounded up for Goodreads purposes to 3/5.

Finished loads more books, and just wrapped up my 50th book of the year. I'd set a very modest Goodreads reading goal of 25 books this year. I knew I was intending to read a lot of lengthy books. But I've more than doubled it.

Among the new books, Steeple Chasing was a fun glimpse into church architecture, history and people. Though probably overlong. It did feel like a slog after a while.

Of course I reread Roger Zelazny's Halloween delight! And enjoyed it as much as every year.

Clanlands, by two Outlander actors (one also a hobbit) was fun, and often really insightful into Scottish history. But overly blokey for me.

Mario's Butt was an entertaining perspective on video game characters and design. Though an easier read for those games I was familiar with, having played myself, or watched Martin play.

The Insomniacs After School manga series continues to be enchanting. I already have the next two volumes in hand, ready to continue reading.

Travis Baldree's followup (well more a prequel) to Legends & Lattes was fun, but didn't quite hit the high spots of his earlier book. But a charming fantasy setting, with added bookshop content.

( earlier books... )
1. Steeple Chasing: Around Britain by Church by Peter Ross
2. A Night in the Lonesome October by Roger Zelazny
3. Clanlands: Whisky, Warfare, and a Scottish Adventure Like No Other by Sam Heughan and Graham McTavish
4. Things I Learned from Mario's Butt by Laura Kate Dale
5. Insomniacs After School (manga) volume 4 by Makoto Ojiro
6. Bookshops & Bonedust by Travis Baldree

I've just finished my marathon viewing of a large bunch of videos on catchup from the Glasgow Worldcon this summer. Watching on catchup I missed out the chance to take part in the live Q&As. And I also found the user interface rather cumbersome, that I had to watch on my laptop, which limited how frequently I could do so. But I still managed to get through quite a large number of talks.

Here are the events I watched, each one about an hour long, typically with 45 main minutes of discussion, followed by 15 minutes of audience Q&A:

• AI and Work - Do Androids Dream of Taking Your Job?
• ENIAC and the Post-War Dawn of the Computer age
• The Horror Out Of Space
• *Scot-ish: The Influence of Scotland on Fantasy Worldbuilding
• It's Life, Jim, but Not as We Know It
• *Iain Banks: Between Genre and the Mainstream
• All the Shakespeare: the Bard's Influence on SFF
• The Untold History of Worldcons
• Inadvisable Rocket Science
• A Fireside Chat with Samantha Béart
• Guest of Honour Interview: Ken MacLeod
• *The Many Legs of SF: Creepy Crawlies in Space
• 50 Years of TTRPGs
• Comics Can Save Your Life
• Faeries in Fantasy Literature

I've marked out above those with asterisks that I especially enjoyed. To pull those out specifically these were:

• Scot-ish: The Influence of Scotland on Fantasy Worldbuilding
• Iain Banks: Between Genre and the Mainstream
• The Many Legs of SF: Creepy Crawlies in Space

The first two of these had obvious Scottish connections, which I unsurprisingly appreciated. But I also found them particularly rewarding in other respects. But I enjoyed something in everything I watched, not just these particular highlight talks.

Martin and I had originally hoped to be at the Glasgow 2024 Worldcon in person. We had low cost attending memberships in place. But things didn't work out that way. However I was able to watch on catchup, and have very much enjoyed that. I was also active in the Discord during the convention, and treated myself to some purchases inspired by the Dealers' Hall.

OMG! The 1984 BBC version of "The Box of Delights" is coming out on Blu-ray in November! Including new special features, such as "Time And Tide – Making The Box of Delights". We rewatch this series every year in the run up to Christmas!

Lots more books finished since last time. Rather a mixed bag.

The graphic novel Robyn from Blue Fox Comics was a gender-swap reworking of Robin Hood. Nice artwork, but often confusing storytelling.

Manga Insomniacs After School continues to delight. An innocent coming of age story, involving two likeable kids, and some astronomy.

The second Bridgerton book started off really well. Sparkling verbal repartee between the two lead characters. But the writing went significantly downhill later.

I adore The Lord of the Rings. So I was very very happy rereading Fellowship. Will continue with the rest in the coming months.

Queen Macbeth was a historically grounded retelling of the true historical character that Shakespeare misrepresents. Until it went off into sheer flights of fancy. It also felt like what should have been a much longer book that turned into so many "then this happened" in the breathless closing pages. However I'm glad I read it, not least after seeing (online) Val McDermid talk recently about it at the Edinburgh Book Festival. It's also a quick read, more of a novella. One of a series of "Darkland Tales" retelling Scottish history in that format.

The Adapting Tolkien book of seminar papers was a varied set, some less successful than others. I was exasperated by how poorly the illustrations for one paper - so essential to what it was discussing - were reproduced in the Kindle ebook. Luckily I found a YouTube video of the original seminar paper presentation! But an interesting mix, ranging across within Tolkien's Legendarium, Elvish in the films, the Folio Society's illustrated Silmarillion, and the process of naming astronomical objects after Tolkien names. And more.

( earlier books )
1. Robyn Volume One - No One Above Another (graphic novel) by Simon Birks et al
2. Insomniacs After School (manga) volume 2 by Makoto Ojiro
3. Bridgerton: The Viscount Who Loved Me by Julia Quinn
4. The Fellowship of the Ring by JRR Tolkien
5. Queen Macbeth by Val McDermid
6. Adapting Tolkien: Proceedings of the Tolkien Society Seminar. Peter Roe Series XX edited by Will Sherwood

I am continuing to watch these on ITVX. Though generally in spread out spurts, rather than more steadily.

Tonight I was watching the latter half of "Lord of the Trees", all of "The Enchantment", and starting on the first half of "The Swords of Wayland". All episodes from season 2.

One thing that's striking me a lot is how sanitised it is, both in violence, but also in sexual relations. The fight scenes - heavily signposted by the start of the "fight music" each time - are pantomime like a lot. Older me fast forwards through many of them. They also often go on for a very long time. But they're also rarely too gory (*). Nor is there anything like as much sexual violence or menace as you would expect for the time, and would be shown in a more adult aiming programme. Even Lilith's seduction (of a sort) of Robin is remarkably asexual, especially from Robin. And as for Robin and Marion, well that's minimal too.

Against that mythology is heavily used throughout. And it's often very dark. As are the frequently threatening visuals. I've just got to the start of "The Swords of Wayland" two-parter. The images at the start of riders on horseback and menacing people is very visceral and scary. Not in a light Hammer way. Watching "Lord of the Trees" tonight I wondered what Mary Whitehouse would have made of it all! Checking on Wikipedia it seems that she did have views, and "objected to the [show's] relentless slaughter and blasphemous religious elements". No big surprises there!

Women frequently have very strong roles in the series, which is nice to see. Though not so much Marion, even if her agency improves in season 2 over season 1. But I'm thinking especially of villainesses, such as Lilith and Morgwyn. Though quite what that says, that it's generally the evil women who get the strong female roles, I'm not so sure. To be fair, this is set in medieval times, when things were even more limited than today.

It is a bit exasperating how certain storylines are left unfinished though. I'm thinking in particular of what happened to Gisburne at the end of season 1, the story of Baron de Belleme, and of course, and most sadly, the unfinished storylines after the series was cancelled after season 3.

The guest cast is often astonishing though. I've been marvelling at that throughout. I am looking forward to next season, and Richard O'Brien's repeated appearances. Though I'm less excited about an upcoming major cast change. On plus we will have other great guest stars to enjoy. I am especially looking forward to seeing William Russell.

Anyway yes, very happy rewatching these. A marvellous series, that first aired 40 years ago this year. And still well worth making time for.

* I know that ITVX has cut some of the violence. But I've seen enough of the series on DVD before to remember that even in the original uncut form it's not as violent as you might expect for the time. Very impressive, albeit a bit overlong for me now. But remarkably non "eek!" inducing.