vivdunstan: (fifth doctor)
Continuing our Peter Davison era rewatch, and next this one. Which I hadn't remembered fondly, but honestly enjoyed much more than I remembered.

It's an interesting story of a base under siege from within, due to a character going mad. Then on the outside there's a mysterious supposedly primitive society. All on a strange jungle-like planet.

The first two episodes were stronger for me than the last two. A big problem in the last two for me was the acting of Adrian Mills as Aris. Though his character also wasn't particularly well written.

I much preferred the base scenes, with a tiny cast, including, amazingly, Richard Todd, but also Nerys Hughes who, like many watching, I wish had stayed on as a TARDIS companion after this.

The inside Tegan's mind (or not) scenes were incredibly trippy, but also riveting, with some great guest acting from "Reg" actor Jeff Stewart from The Bill. I was also pleased to see Mary Morris, who I especially remember as one of the Number Two actors in 1960s The Prisoner.

But it did get rather painful to watch later, though still interesting. I like what they tried, but the script needed quite a bit more work. Though I'm less annoyed by the original giant snake effect than some. By the way we are watching the Peter Davison stories with all original SFX, not new.

The making of documentary was interesting, but felt a lot like multiple people apportioning blame onto others. For example I think the scriptwriter could have written the script in a more accessible way, and he shouldn't have needed this to be pointed out, though nor should the others have let the script go through in this form. I'm really not sure how much use the script editor was.

Depending on when I hear my date for cancer surgery we may have a wait before we watch the next story. We're watching the 4-parters over a couple of Sunday evenings. And may run out of time to watch the next one fully before surgery, if I'm contacted soon, with fairly short notice.
vivdunstan: (fifth doctor)
Continuing our Peter Davison era rewatch (first watch for Martin) and it's onto this, his second story on air, but the first filmed.

There's an interesting scifi concept at the heart, and the companions get lots to do, a rare thing for such a crowded TARDIS crew. Peter Davison also impressed in his first filmed appearance as the Doctor. I found the compact studio set surprisingly effective, depicting the spaceship and its interior, with no location filming.

But like Castrovalva it suffers from significant pacing issues, and in particular extended padding as the various Earth cultures depicted are shown. This also feels rather reductive at times, and it's telling that Janet Fielding had to make them give a more realistic impression of Aboriginal culture.

The guest cast are great though, especially Philip Locke ("Arnold of Todi" from Box of Delights for me!) and Stratford Johns. The latter really suffered for his art, in sweltering makeup and costume.

So a mixed bag, but more successful overall for me than Castrovalva, and a good example of how to use a large TARDIS crew more effectively than was often the case. But the script did need more content to fill the four episode running time.

On to Kinda next ...
vivdunstan: A vibrantly coloured drawn image of David Tennant's Doctor, with sonic screwdriver in his right hand (tenth doctor)
Continuing our 20 years on rewatch we watched this episode again last week. Which I did not remember fondly. But it was better than I remembered.

A big problem that I realised this time is that the core child character is very unlikeable, at least initially. This makes the viewer making a connection and empathising almost impossible, at least early on.

More problematically there is a huge amount of tell not show, in particular re an alien's lengthy back story. This breaks all the standard rules of good TV storytelling, and is painful to watch. Problems here are further compounded by the director's choice to make the child actress whisper her way through this. It's excruciating.

But the main child actress is otherwise fine, as, unsurprisingly, is Nina Sosanya as her mum.

At the heart it’s an incredibly dark story, and not nearly as child friendly as might be assumed.

But there are lighter moments as well. Kel and the pick axe scene on the street is hilarious.

The singing resolution is rather painful. I don't get on well with singing in episodes ...

But yes, better than I remembered. And, to be fair, it has been undertaken in my rankings by a couple of stories in the Thirteenth and Fifteenth Doctor eras. But I'm doubtful I'll watch it again.
vivdunstan: A vibrantly coloured drawn image of David Tennant's Doctor, with sonic screwdriver in his right hand (david tennant)
A review from a rewatch the other week, as we continue our 20 years on rewatch of this series of Doctor Who.

I still liked a lot about it. Elton and his gang are a charming bunch of misfits, and I found it impossible not to relate to them. The monster is as daft as I remember, and really gross at times. There are the best scenes ever for Rose's Mum Jackie, with superb acting from Camille Coduri. The sex joke at the episode end is not good and I still have problems with how one character ends up, and that it's supposed to be an ok ending.

But yes, still enjoyable, and definitely not for me the worst of the worst episodes. And hey, bonus points for the ELO music.
vivdunstan: A vibrantly coloured drawn image of David Tennant's Doctor, with sonic screwdriver in his right hand (tenth doctor)
Another rewatch for us, 20 years on. And this two parter is still superb.

It's a fresh twist on a base under siege story, with big ideas, a superb guest cast (especially Claire Rushbrook and Danny Webb), and an innovative new monster/creature in the Ood. As an agnostic I find some of the religious angles harder to relate to, but it still works on many levels, and is so ambitious. And the music at times is breathtaking.

If it was in any other year it would be a contender for the best story of the season. But this is such a strong year with some stellar stories. But it's really, really good.

And I've just remembered there's a new Target novelisation that I still have to read. That will be fun. It's novelised by the original scriptwriter Matt Jones. Who, sadly, we didn't get any more Doctor Who TV stories from. Though he did write a Torchwood episode. As well as some other Wilderness Years books and short stories.
vivdunstan: Sidney Paget drawing of Holmes and Watson in a railway carriage (sherlock holmes)
Digging out my CD player to play a new Sherlock Holmes audio with Tom Baker and John Leeson playing Holmes and Watson.

Tom Baker sounds on great form, but John Leeson is a little laboured. But I'm enjoying so far. It also stars Nicholas Rowe, known from Young Sherlock Holmes.

I also have the hardback version of the novelisation to read, which is a lovely artefact.

vivdunstan: A vibrantly coloured comic cover image of Peter Capaldi's Doctor, viewed side on, facing to the left, looking thoughtful (twelfth doctor)
Another two parter in this series, and it's a two-part sequel to 2013's "The Day of the Doctor". Going to discuss my thoughts with significant spoilers.

spoilers )
vivdunstan: the Blake's 7 logo from the TV series (blakes 7)
Best known for TV's Blake's 7, but also a familiar face from other programmes, including Doctor Who and Eastenders. I've just dug out our old Dutch Blake's 7 DVD boxset which includes season 4, so we can rewatch his superb performance in "Orbit". https://www.imdb.com/title/tt0500252/

Note I don't think this episode is available to stream legally anywhere, and the collection remastering project for Blu-ray etc hasn't got this far through Blake's 7 yet. Luckily we have the old DVDs.
vivdunstan: A vibrantly coloured comic cover image of Peter Capaldi's Doctor, viewed side on, facing to the left, looking thoughtful (twelfth doctor)
Continuing my Twelfth Doctor rewatch with this pair of linked episodes. Going to discuss this with big spoilers.

spoilers )
vivdunstan: A vibrantly coloured drawn image of David Tennant's Doctor, with sonic screwdriver in his right hand (tenth doctor)
Another 20-years-on rewatch for us, last week, with my review only going up now.

This is a strong episode, that brought back a much-loved old character, in a way that appealed to both long-term fans from the 1970s and new fans who had no idea who Sarah Jane Smith was. Or indeed K9. It was a risk going for the jealousy angle, and Rose doesn't always come out well, including re the final bit with Mickey. But it gives a new perspective on the role of a companion, and I think was generally well done.

It's another tightly written episode - rewatching this 2006 series I'm constantly agog at how much tighter the single parters were writing wise than in the RTD2 era - with a strong plot and good guest cast. Anthony Head is particularly strong in his role, and I honestly thought that the main kid actors were ok, though I've seen other reviewers less positive about them.

As an old time fan myself, albeit starting watching in 1978 after Sarah Jane Smith left the TARDIS, I loved the ending. And it was easy to see how much fun David Tennant was having, as another lifelong fan. It's no wonder that this led to the very successful Sarah Jane Adventures spin off.
vivdunstan: A vibrantly coloured drawn image of David Tennant's Doctor, with sonic screwdriver in his right hand (tenth doctor)
We watched this last week, another 20-years-on anniversary rewatch. I remembered really liking this story on first watch, with some provisos. And it's still great.

Tightly written, full of content. There's an original Scottish setting, and it was nice to see David Tennant's Doctor use a Scottish accent, and be incorporated into the plot.

Rose is very resourceful and brave, leading the prisoners' defence. But at the same time she is phenomenally irritating re the repeated "We are not amused!", and her Princess Anne jibe was incredibly misjudged by RTD. And I say that as a non royalist.

The episode is full of exciting action scenes, from the opening monk acrobatic hijinks, through to the werewolf transformation, and the final climax.

A strong guest cast, mostly Scottish, helps immensely. Pauline Collins - a Classic Who returnee to Doctor Who - is a memorable Queen Victoria.

Much running along corridors, and more stairs. But effectively done, and not annoyingly repetitive.

Some nice uses of history, and as a book historian I especially liked the woodcut showing something relevant from James V's era. Unlike Jonathan Creek's "Satan's Chimney" episode with Mary Tamm, this story at least got the correct Scottish monarch!

And nods to the future, re both Torchwood and Bad Wolf.

Great stuff, albeit still with a few quibbles. And, yes, incredibly tightly written, which again RTD2 and also Capaldi-era Moffat could take lessons from.

Oh and the early 2000s special effects seemed to hold up well for me watching two decades on.
vivdunstan: Some of my Doctor Who etc books (doctor who)
Had the first boxset waiting to listen to for ages, and finally fired up this first story. And this is enormous fun. Georgia Tennant does a grand job returning to her Doctor Who TV role as the Doctor's Daughter, and the story, characters and tone are great space comedy, in the style of Hitchhiker's Guide to the Galaxy. I don't know if the rest of the boxset will be similar, but this is a superb start.

vivdunstan: A vibrantly coloured drawn image of David Tennant's Doctor, with sonic screwdriver in his right hand (tenth doctor)
This last week marked 20 years since the start of David Tennant's first full series of Doctor Who. We weren't planning to rewatch anything, but stumbled at midnight that night into a rewatch of "New Earth". I wouldn't be surprised if we rewatch more episodes over the coming weeks ...

I jotted down some quick thoughts while watching.
  • DT so young!
  • Seeing Mickey is going to be *challenging*, but hey ho
  • Nice to combine first new Tenth series story with a sequel to End of the World
  • So many lift shafts and stair scenes in this early era of New Who!
  • Adjoa Andoh's voice even more recognisable for me now after watching some of Bridgerton
  • Certainly pre Covid, with the Doctor opening up multiple patient cells, full of people infected with many diseases, and saying it’s ok as long as you don’t touch them
  • Marvellous cat acting from Doña Croll particularly
  • Very dark storytelling, but also incredibly concise for the runtime - RTD 2 could take lessons
  • Overall a fun intro to a new series. And the middle part of an elongated trilogy story of sorts, which I hadn't appreciated back then.
vivdunstan: A vibrantly coloured comic cover image of Peter Capaldi's Doctor, viewed side on, facing to the left, looking thoughtful (twelfth doctor)
Was worried that I was going to run out of title characters to fit that lot in!

Continuing my rewatch of the Peter Capaldi era with this opening two parter from New Who series 9. And going to put my discussion into spoiler space.

spoilers )
vivdunstan: (tom baker)
Just got to Tom Baker appearing in our rewatch of “The Silver Chair” Narnia series from the BBC in 1990. And I’m constantly laughing at everything he says as Puddleglum. Brilliant character, perfectly cast.
vivdunstan: A vibrantly coloured comic cover image of Peter Capaldi's Doctor, viewed side on, facing to the left, looking thoughtful (peter capaldi)
Continuing my Twelfth Doctor rewatch. And going to put this two-parter's discussion in a spoiler cut.

spoilers )
vivdunstan: (fourth doctor)
Continuing our slow rewatch of the newly remastered BBC Narnia TV stories from 1988-1990. Newly starting “The Silver Chair”. Looking forward to seeing Tom Baker again as Puddleglum. And Camilla Power as Jill is a fine young actress.
vivdunstan: A vibrantly coloured comic cover image of Peter Capaldi's Doctor, viewed side on, facing to the left, looking thoughtful (twelfth doctor)
Recently rewatched this, and enjoyed it again, though perhaps not as much as the first time.

The Golden Age style whodunnit aspect is fantastic. Though I found it frustrating that the Doctor already knows about the Foretold, making me feel one step removed from the story at that point. Writing about (fictional) past legendary things can be tricky, but I think a smoother bit of sleight of hand could have improved this. Taking the viewer along with the Doctor on the journey of discovery can be an important element.

I still find the split between the Agatha Christie esque train setting and the futuristic lab to be extremely jarring. This is a longstanding problem I have with Doctor Who stories that have an atmospheric opening setting, sometimes historical, and then relocate to a different much more scifi setting. Think "The Stones of Blood" for example.

Yet there is a good resolution, and the guest cast is strong. Not least Frank Skinner as train chief engineer Perkins, who has an unnerving ambiguity about whether he's an ally or not. Nicely done.
vivdunstan: A picture of a cinema projector (films)
Tonight’s film viewing here. Total nostalgia fest for us two. And such lovely music!

Some of the Scottish accents are urgle, but I give this film quite a lot of leeway.

Also what a fab supporting cast, not least Ian Holm.
vivdunstan: Test card (tv)
We've started watching the new remastered Blu-ray version of the BBC 1988-1990 Narnia TV stories. Working slowly through the three televised serials (Lion, Caspian & Dawn Treader, and Silver Chair), before watching the new extended combined making of documentary on the final disc.

First "The Lion, the Witch and the Wardrobe". Which I watched in 1988, and later on video with Martin who'd never seen it. He's never seen the other Narnia TV stories at all.

Some quick thoughts, more about the production side of things than the story itself (mostly):
  • Relatively little happens in quite a few of the earlier episodes, at least compared to 1984’s “The Box of Delights”, which admittedly I adore.
  • I wondered where I recognised the Professor from. Seymour in Last of the Summer Wine! Which my family was glued to on Sunday nights back then.
  • Barbara Kellerman’s White Witch stretches things too much towards overacting.
  • Aslan’s camp looks to older me now more like a 60s hippies commune.
  • Ronald Pickup - yay!
  • Aslan moves his body well but his mouth movements are very stiff.
  • I do like the special effects of the creatures and phantasms that the Witch conjured. But many of the other special effects are less successful for me, and often clunky. Again not overall as good for me as in the earlier Box of Delights.
  • The direction could be better in a lot of places, to smooth how the child actors are handled. It just often feels awkward.
  • And it is so unsubtly Christian. In the whole Narnia book series that is most true of this book and, above all, the final one. But I’m finding it harder to watch as an adult.
Despite all those thoughts I'm enjoying this rewatch, though am less appreciative of it now as an adult than I was as a child back in 1988. And I definitely don't think it's anywhere near as successful, or as good to rewatch years later, as my admittedly beloved Box of Delights.

Martin stunned me tonight by saying that he doesn't think he'd ever read any of the original Narnia books, even as a child, growing up in Britain in the 1970s and 1980s.

He also wouldn't have noticed the Christian/religious elements in this Narnia story, without me hinting. Despite growing up in a more religious and consistently church going household than me. Though we're not sure how much of that side of things sunk in.

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