vivdunstan

On to my next audio, the first in the seventh series of Big Finish Benny audios. This story follows on from the upheaval of the previous one, before sending Jason off on a quest to rescue Benny who has vanished from time and space.

There are a lot of clever ideas in this audio. The aliens involved have a datascape virtual world that they inhabit. And they can also control time to go back in time. But I don't think I was in the right mood for this level of abstraction. It's also rather difficult to successfully achieve in audio alone.

The writing wasn't great. There were some particularly painful extended info dumps. Again very much the "tell not show" poor form of storytelling. And this wasn't even the huge back story elements of especially Benny but also to an extent Jason that the story relied on.

Stephen Fewell and Lisa Bowerman were acting their socks off as Jason and Benny though.

But ultimately not a great audio by a long chalk.

I do remember the next one is a fab story, so looking forward to that ...

On to the next audio, and it's another one where Benny's off to another planet, to investigate a curious archaeological thing. In this case she's asked to look for the remains of a local warlord who's key to the local religion.

On plus after the recent run there were no scenes of torture. In fact it's a rather light audio, albeit with some scary scenes. The monks that Benny encounters are a curious bunch, and there turns out to be a reason for that. And what she discovers in the wreckage of a spaceship is not exactly what they expected ...

The best bit about the audio is Benny's quasi companion Keri, an old friend of hers, an almost mouse-like alien, who is there to record Benny's discoveries and broadcast them to viewers across space, using highly amusing roaming cameras. Keri is full of character, and very well played by guest star Jane Goddard (incidentally the wife of TV episode "Dalek"'s writer Rob Shearman). And their rapport, which does evolve too, is a delight to listen to.

So a rather light audio, not outstanding, but entertaining enough. And hey, no signs of torture.

The next audio looks like an important one. Looking forward to that.

Musing some of my all time favourite Big Finish audios. There are so many to choose from! But here are 9 of them.

Wow. Christopher Eccleston and Billie Piper reunite in a new 12-part series of Big Finish Doctor Who audio adventures to start later this year. https://www.bigfinish.com/news/v/the-ninth-doctor-and-rose-return

Until Christmas I was blogging here once a week through the complete Sherlock Holmes short stories and the audio adventures of Doctor Who spinoff series Bernice Summerfield. I paused them over Christmas, and then since the start of the year have been totally felled neurologically, and for the last week extra ill with a cold probably picked up at the V&A Dundee the Friday before. Though testing negative for flu and Covid. And I'm glad I'm not much iller. But that on top of the neurological illness flare is just too much to cope with.

I'm hoping to get back to both the Sherlock Holmes and Benny (Bernice Summerfield) marathons soon. I am really enjoying rereading the Sherlock Holmes stories and writing up my thoughts after. And similarly listening to the Benny audios, many for the first time for me though not all, and writing up thoughts after. Setting myself the weekly challenge of reading/listening to these and blogging about them turned out to be huge fun, and helped me keep going, and engage with them more deeply. I am keen to resume. But will only do so when I'm stronger. But hopefully not too far off ...

This was a very tough listen. An utterly devastating account of a slave race striving for freedom from their oppressors. Brutal torture is described, accompanied by blood-curdling screams. I don't want to ever hear it again. However the story was well written, and the acting of the small cast strong. But too heart rending. It is a prequel of sorts to the First Doctor story "The Ark".

Another in this slow going series from me, and this time I'm going for the easiest fandom of all for me to tackle!

I first started watching Doctor Who in 1978, aged 5, very shortly to be 6, with "The Ribos Operation" and the Key to Time 16th series with Tom Baker's Fourth Doctor paired with the glorious Mary Tamm as the first Romana. I was vaguely aware of Doctor Who before, but don't think I'd ever properly watched it. Certainly when I got my first Doctor Who annual, which featured Louise Jameson's Leela, I was utterly baffled. Though happy to go with the flow.

From that moment on Doctor Who was a fixed viewing point in our house, with Dad and me both hugely enjoying it. I loved the first version of Romana, but was shocked by the second - my first experience of Time Lord regeneration. And then we got to Logopolis, and yes, that was a shock too. Though I recognised Peter Davison from All Creatures Great and Small, and quickly took to his version of the Doctor with no problems.

I continued as a fan throughout the 1980s. Dad was often exasperated by some of the 1980s Doctors, especially Sylvester McCoy, but I remained a fan throughout. Loved the often bonkers storytelling. It did feel very much of its time. I continued to get a Doctor Who annual most years, but never joined fan organisations then like DWAS. Though I was generally reading Doctor Who Magazine every month throughout the 1980s.

I do remember trying to see a Doctor Who exhibition at Burntisland. My parents and I travelled the long distance up from the Scottish Borders by car, then got a train near Edinburgh to go over to Fife for the day. And there was supposed to be a Doctor Who exhibition there. But it wasn't there when we got there. I was disappointed. Though I do remember enjoying a helter skelter!

And then we got to 1989, and the end of TV Who. And I fell away. I remember joining a Doctor Who fan club at St Andrews University in 1990, but had a really unpleasant experience as a female fan and immediately left. It's just possible that it was a more generic scifi fan club, though if so I think it was still heavily Who leaning. I never knew about the Virgin New Adventures novels at the time, and completely stopped reading Doctor Who Magazine.

Then, somehow, and I still don't know how it happened, I completely missed that there was going to be a new Doctor Who TV Movie in 1996. I didn't even know it was on. Martin also failed to notice that - he would have mentioned it if he'd seen it. So we completely missed it. I also had no idea for many years that Paul McGann had played the part.

And that was how things remained, until 26th September 2003, and the news that Doctor Who was going to return with a new series. I saw that news on Ceefax, and it was like a total bolt out of the blue. And prompted me to return to the series, check out some books that had come out, start reading Doctor Who Magazine regularly again, and try my first Big Finish audio: The Chimes of Midnight, with Paul McGann as the Eighth Doctor I'd never heard or seen before. Listened to on my own in our new home in 2004. Magic.

On to another Benny audio, and this one's a sequel of sorts to the first Tom Baker story "Robot" from 1974. Though it's also inspired by a tie-in jigsaw featuring the robot released in 1978. For the full story see the "Notes" section of this audio's entry on the TARDIS Wiki website. This audio even features the original robot voice actor from the 1974 TV story, and has callback elements to that story. But you don't need to have seen the 1974 Doctor Who TV story to follow the audio.

Benny ends up on a planet - shot down! - with just a couple of human survivors and one robot. Why she's there is slowly revealed, and also the complicated goings on of the survivors and their back story. It's definitely one of those Benny audios where the often small cast numbers are too painfully apparent. With just a father and daughter plus robot as guest characters it does feel like a remarkably sparse setting.

It does become more interesting as you listen on, when things also expand somewhat. But I was hampered throughout by frustration with the daughter character, who I think I was meant to empathise with. Even Benny gets phenomenally frustrated with her. And this then lessened the impact of certain plot elements later.

However it's an ok audio, and Lisa Bowerman as Benny was fab as always. Benny in this archaeologist phase is definitely someone I'd like to have been in a scifi alternative me, flying from planet to planet to investigate relics and archaeological sites, with hefty doses of sarcasm and spunk. But it's also an audio that highlights some of the problems with the range.

On to the first in season 5 of Big Finish's Bernice Summerfield audios. And a rather unusual one, where at the start Benny's young son Peter activates Benny's time and space travelling rings, leading to a manic chase through strange times and places.

As with many Benny audios in this period this one calls back to old stories. The time rings that Peter uses to transport the group through time and space were a gift from the Seventh Doctor to Benny and Jason, in novel Happy Endings, and were also used as a plot element in a number of subsequent novels featuring Benny. Many of which were made into audios later by Big Finish.

But the story also calls back to the First Doctor TV story "The Chase". Which I haven't seen or heard, any more than I've read Happy Endings or read/heard the other time ring stories. There is even a Grel who seems to sound like William Hartnell's First Doctor early on in this audio, though I'm not sure if that was intentional! But at least I didn't need to know about the earlier TV story, even if it means I miss some of the connections.

It's a truly bizarre set of adventures, that's often extremely funny. The Grel chasing Benny and team are consistently good value on entertainment grounds. And the dialogue between Benny, Jason, their friend Sophia and robot assistant Joseph is also often laugh out loud hilarious.

Oh and I didn't previously know who the Grel were either - they first appeared in Doctor Who novel Oh No It Isn't, another Virgin New Adventures story Big Finish turned into an early Benny audio, that I haven't heard either! But the very useful Tardis Wiki told me probably all that I needed to know, with the description "Squid-like humanoid". And it was fine.

In a nutshell this was a lot of fun. It also creatively developed the ongoing story of Benny, young Peter and Jason. And I laughed a lot. Though I'm not a fan of the new Benny title music. The previous theme was much more fun. Also sounded a lot less like Space Invaders or Galaxian.

After battling to hear and understand the whispered Sea Devil dialogue in a Big Finish audio yesterday a friend kindly suggested that I try an auto transcription service. I've just been trying MacWhisper, which I can run locally on my Mac, no uploading the audio, which I wouldn't be happy with for copyright reasons. And it's done surprisingly well. The large AI audio model (available with a one-off pro purchase) copes best of all. But even the free small model was pretty impressive. Couldn't catch all the Sea Devil dialogue, but still did way better than me. I've now tried it with me blethering at it, and then also transcribing the audio for my 11 minutes talk about my gggg-granddad, Dandie Dinmont Terrier breeder Francis Somner. I'm really impressed with how it managed that last test, the large audio model especially. It even coped with many of the Scottish place names and counties, albeit not all. Definitely a higher level of accuracy than Apple's own internal dictation facility. So yup, I think I will find it useful. Though it was essential that it run locally on my Mac. And for once I am really grateful that I have an extremely whizzy Mac processor wise. Because I really needed it here!

P.S. I never had a script for this talk. I just burbled my way through it, using the PowerPoint slides as my prompts. It is remarkably free of ums and ahs!