vivdunstan: Sidney Paget drawing of Holmes and Watson in a railway carriage (sherlock holmes)
Recently I reread "The Musgrave Ritual" story in the Sherlock Holmes canon. I blogged my thoughts then. In a nutshell it's one of my favourite all time Sherlock Holmes stories, revolving around an old riddle and a treasure hunt. I mentioned in that blog that I planned to rewatch the Jeremy Brett version, and newly watch the Basil Rathbone film version. I've done that now, so will jot down some brief thoughts. Note there are some spoilers in here, though light.

Firstly I rewatched the Jeremy Brett TV version from 1986. This takes some liberties with the plot, which in the original story involved a young Holmes on his own in the past, but here was changed to Holmes and Watson going together to a countryside manor for Holmes to recuperate. There are lots of little elements even early on retained and reworked from the original story, such as Holmes having a big box full of old case papers that tantalise Watson. The TV version puts the story of the manor's butler firmly in the forefront, and we see this back story play out early on. James Hazeldine as butler Brunton is extremely effective, and carries his scenes very well. A few small changes are made to the treasure hunt itself, but the story is otherwise largely faithful. And those changes that are made are effective for transferring it to a TV episode. Good stuff.



The Basil Rathbone 1943 movie version is a much looser retelling, but charming in its own way. Here Watson - during WW2 Britain - is working in a Northumberland convalescence home for servicemen suffering from shell shock. And a series of murders lead him to call in Holmes for help. In this version of the story there are three members of the Musgrave family to meet, not one as in the original story, plus a characterful group of wounded servicemen, who are superbly written and acted. The butler Brunton is retained, though here with a wife. And there's another medic, and also the American airman that Sally Musgrave is in love with. The ritual is totally reworked, not really recognisable from Conan Doyle's original. Rather than a hunt around the physical grounds of the manor, this ritual leads to a giant chess game in the house, with the inhabitants playing the chess pieces as Holmes shouts out moves. Ultimately the secret treasure is uncovered and there is a satisfying ending. But it doesn't feel much like the original story. But, as I said, I like it. The direction is dynamic, with sometimes amazing special effects for 1943. The cast of British and American actors generally do a great job, with only a few dodgy accents (London-born Dennis Hoey as Lestrade has a surprisingly poor accent). The film is a little over an hour long, but full of incident and interest, and kept my attention throughout.



So two fun but different retellings of this Arthur Conan Doyle story. My favourite is the Jeremy Brett version, which is more faithful, and also features my all-time favourite Holmes and Watson pairing of actors. But the Basil Rathbone version is a delight in its own way. There's also a 1912 short silent film version of the story, that can be viewed on the story's Wikipedia page.
vivdunstan: Sidney Paget drawing of Holmes and Watson in a railway carriage (sherlock holmes)
Onto another story, and unashamed disclaimer up front: this is one of my all-time favourite Holmes stories. spoilers )
vivdunstan: A picture of a cinema projector (films)
Note there are spoilers in this post. Scroll past if you don't want to know some quite specific details.

Earlier this year I mentioned here that I was intending to watch some of the animated Tolkien films from 1977-1980 soon. As I said then I'd never seen The Hobbit (1977) or The Return of the King (1980), though I have seen the doesn't-tell-the-whole-story The Lord of the Rings (1978), which I watched on Channel 4 one afternoon before Christmas in 1988 ...

It's taken us a while to get started. But first up last night was The Hobbit (1977), which I'd sourced a Spanish-released DVD copy of. After changing the settings to English language audio and no subtitles we were good to go with the 77 minutes long animated movie.

I knew going in that it was an extremely condensed retelling of the story. But I was honestly surprised by how much they packed into the running time. And the opening sections charmed me, with the pre titles sequence where Bilbo meets the dwarves and Gandalf, and the rather nice folk-inspired song "The Greatest Adventure". The other songs were more of a miss for me though. The dwarves are introduced phenomenally quickly, but that wasn't a problem for me. I find the original book overly long on this, never mind Peter Jackson's take on it.

The character design choices are a mix of good or curious to downright strange. Gandalf is as you would expect. Bilbo perhaps a bit Disney. The dwarves are a mix, some rather disturbing. Trolls ok. Elrond has a beard. Mmmm. Though I was pleased they managed to include that portion - I thought they'd skip it. Goblins suitably disturbing. Gollum very strange, but it sort of works. Wargs awesome. Ditto eagles. Mirkwood spiders suitably terrifying. Wood elves very very strange, and more scary looking than the goblins. Not sure about the Lake-town men. And Smaug looks more like a big cat (I've seen "bobcat" used to describe him) than a dragon, at least in facial features. Nice thrush though. The animation is generally good, with some particularly impressive visual moments. The animation work was done by a Japanese company linked to the future Studio Ghibli.

The voice acting is variable. Bilbo and Gandalf are fine. Gollum suitably disturbing. I liked Elrond's voice. But why does the elven king have an Austrian accent? And Smaug sounds strange. I wasn't familiar with the actor voices already, so didn't make connections with other roles. But just responded to how they sounded.

As I said I was impressed by how much they fitted in, including the trolls section, Rivendell and Elrond, the Misty Mountains and goblins and Gollum and riddles (good allowance of time for this key bit), then wargs (but no Beorn), Mirkwood spiders, the wood elves and barrel escape (to be fair that's phenomenally condensed into a couple of minutes), Lake-town, Lonely Mountain and Smaug, death of Smaug, Battle of the Five Armies, and Bilbo's return. The Battle bit was the only bit that dragged for me. I suppose after the hasty earlier sections its slightly more leisurely pace felt too slow. They also made a curious choice to depict some of the battle using dots viewed from overhead moving around. Which might be how someone at a distance - in this case Bilbo - might see things. But wasn't entirely successful.

They certainly missed other parts of the story, including some key moments, like Bilbo deciding not to kill Gollum. Nor did he steal the Arkenstone, and the emotional ending with Thorin was reduced as a result. Much was there though, just accelerated/edited hugely. And I'm still stunned by how much they did cover in the time.

The thing I liked least about the film is the ending, where Gandalf says some words to Bilbo, hinting that the ring he found is important, and in the future there will be more adventures involving other members of his family. Mmmmm. I can see why they did that. It's a quaint nod to them hopefully continuing the story (which the same team sort of did with The Return of the King animated movie in 1980). But to suggest that Gandalf has an awareness of or even hint of the importance of this ring at this time, never mind other foresight about its future, just feels so very wrong for this viewer/Tolkien fan at least.

However overall I enjoyed it. I think they got more things right than wrong. And I would far, far prefer to watch this 77 minutes version than the nearly 9 hours of Hobbit movies from Peter Jackson ...

vivdunstan: Photo of my 72 bass accordion (accordion)
Delighted to manage an hour's play on my piano accordion. Very light headed neurologically, and challenged by bellows control! But delighted got a play. Mainly my own arrangements e.g. Despacito, Aladdin's Speechless, and Bergerac theme. And here, Bateau Mouche by Henry Mancini, from movie Charade.

There's always a limit to how long I can play for. I end up getting too light headed, and brain fogged very quickly, and can no longer control my fingers or arms, or read the music properly. But very happy with today's hour's play! Took me a while to "wake up" enough to not totally stuff it up. But had lots of fun.
vivdunstan: Photo of my 72 bass accordion (accordion)
I've never seen Wicked, on stage or in the cinema. Will watch it from home (well part 1 of the 2-part film version) when it goes to streaming. But I *adore* this song from the musical, especially the version sung by movie Elphaba Cynthia Erivo. Have bought some digital piano music for it, and am going to do an accordion arrangement. Just gorgeous.

vivdunstan: A red chromatic button accordion (CBA)
Overjoyed to get my wee Maugein chromatic button accordion out for the first time in well over 6 months. I'm still learning this new to me type of accordion (I'm a very long-term piano accordion player) including even where the right hand notes are! Delighted with how much had stuck and making plans for progress. Had fun working through some tuition books, as well as Sous Le Ciel de Paris and even the Pirates of the Caribbean film's main tune.
vivdunstan: A picture of a cinema projector (films)
9 days after we watched the first half! Enjoyed, though with many of the provisos of my earlier post. I now mainly want to follow up a historic reference in there (spoilers )) and read more about it. Glad we watched it, though not surprised how long it took us to get through. I can't really watch anything more than 70 minutes long in one go now.
vivdunstan: (lord of the rings)
I'm continuing my reread of The Fellowship of the Ring. And the party have just got through Moria. But I was struggling hugely to visualise in my mind the different rooms and levels that the party were going through, especially later on in their time in Moria. But I can remember a time when I could visualise them clearly. For many years. So this seems to be something I've lost since, or can't do now anyway. It's not that I'm not remembering the Peter Jackson movie version. But my image of the journey through Moria was memorably different from the movie I saw in 2001. I remember clearly having "thoughts" about the film's depiction of Moria, and how different it was from how I imagined it looked ever since I'd started reading the book for the first time as a young child. But now I can't really visualise any geography at all as I read.

Relatively recently I tried an aphantasia online test. And scored highly. Which would fit with my struggles to visualise things in my mind now. Including faces. Even very close family! But I'm now wondering after this LOTR rereading experience if it's something that I've developed more in recent years. Perhaps as a result of my progressive neurological illness.

When I was young I could visualise things, and draw from images in my mind. However when my neurological illness started in 1994 at age 22 I quickly noticed my ability to think abstractly diminishing. Rather a big problem for a computer science PhD student needing to program. I quickly lost the ability to program effectively in lots of languages. Though at the time I just coped as best as I could. It's more distressing looking back.

So yup, I wonder if visualisation is another loss with time, perhaps due to my long term illness. It's partly also why I dreaded designing cover art for my latest IFComp game. But hey, got there!

Curiouser and curiouser anyway. I am enjoying my LOTR reread despite this. Next up Lothlorien.
vivdunstan: A picture of a cinema projector (films)
Finally getting to this, though it will take us at least two watches to get through it, given how sedated I am. Eyes were peeled for Leaderfoot Viaduct near Melrose near the start! There was much excitement there when the filming happened.

Impressions so far, halfway through, are positive. Though if anything it seems over hectic: too many prolonged action sequences, not enough calmer bits. I don’t remember earlier Indy films leaning so heavily towards the former, but that may just be my bad memory!

I’m impressed by how well the de aging of Harrison Ford and Mads Mikkelsen worked. I expected it to be more jarring. I only found some bits when Indy’s face turned side on to look badly fake. I found the horse and bike race visual effects more dodgy. Amused to see a pipe band, in a bit filmed in city centre Glasgow.

Phoebe Waller-Bridge is doing a good job, and Helena is suitably unreliable and hard to pin down. Nice to see John Rhys-Davies again. Though he’s toned the accent down! And Toby Jones was fab.
vivdunstan: A picture of a cinema projector (films)
I picked up a deck of these a while back, while reading the novel for a book club, but not having seen the Studio Ghibli film yet, which the cards are based on. Now having seen the film I've dug them out again, and had another look through.

I really like them, but they'd only really work for folks who've seen the movie, and not just read the book. They capture a lot of the nice visuals and character of the animated film. Though some of my favourite images are missing.

Best of all there are different images on every single card, even the number ones. And running through the suits in the order in the deck they recap the story of the film, from start to end.

I collect playing cards, and am always keen to get another set with particular resonance for me. This is a very nice deck. And I'm very happy to have bought it. I got mine via Amazon UK, from a Japanese reseller.

The picture below shows some of my favourite card images in the deck, below the other cards spread out.

vivdunstan: (lord of the rings)
I'm currently enjoying a reread of Tolkien's The Lord of the Rings, my all time favourite book. Having just got to the end of the first half of Fellowship (the end of the first of the 6 books the 3-volume trilogy is divided into internally) I thought I'd jot down some notes.

I'm always struck by how slowly the story starts. And how small the world initially appears to be. Even after Bilbo and Frodo's very lengthy birthday party, then Frodo leaving too, it takes an extremely long time for the hobbits to actually leave The Shire. That's good writing, reflecting how the characters would have thought, as their perception of the world expands. But it also makes for a very leisurely experience at times.

I like the Old Forest section, but could happily skip Tom Bombadil. To be fair I do skim his numerous songs. And, also to be fair, I honestly found him a little less annoying than usual this time around! The Barrow Wights are fun. And then Bree is a lot of fun, though I could do with fewer slant-eyed references, and I start to ponder more about the use of black in the book too ...

Aragorn's introduction remains one of the highlights of the trilogy for me. I *adore* this quote:

All that is gold does not glitter,
Not all those who wander are lost;
The old that is strong does not wither,
Deep roots are not reached by the frost.

From the ashes a fire shall be woken,
A light from the shadows shall spring;
Renewed shall be blade that was broken,
The crownless again shall be king.


From leaving Bree the tension and speed cranks up dramatically, but it's also noticeable how much more miles the hobbits are covering in these sections. There are many whole days, largely skimmed over. It's quite a contrast from the 1985 The Fellowship of the Ring text adventure game, which lets you cover these distances in surprisingly few moves.

As for Weathertop, I have a fondness for how the movie handles this climactic encounter. But it's a dramatic series of events whatever.

Re the race to the ford, I do rather favour the use of Glorfindel here, rather than the movie Arwen. Though that's probably due at least in part to Liv Tyler's often monotonous delivery! I do understand why they brought her in here. There is a phenomenal lack of female representation and agency throughout these books. But in this case I prefer the book's approach.

So we're now at Rivendell. I'll continue on with the book. Which is rather timely, with Oxonmoot coming up shortly. As usual in recent years I have a virtual ticket for it. Though will be watching on catch up, rather than taking advantage of the live events.
vivdunstan: A picture of a cinema projector (films)
Watching Howl’s Moving Castle. At least the first half tonight, with more another day. Crikey it is very different from the book! Though the visuals are gorgeous.

A few nights ago I made a long list of the films I’d like to watch soon with Martin. There are quite a bunch of other animated films on the list. As well as big live action blockbusters, like the latest Indy and the recent D&D film.
vivdunstan: (tolkien)
I'm lining up some Tolkien animated films for us to watch. I have seen the 1978 animated Lord of the Rings before. Long, long ago in the 1980s. And I can't remember much of it. I have never seen the 1977 Hobbit, or the 1980 Return of the King. Martin has never seen any of them.

Frustratingly of these only the 1978 LOTR is available for streaming in the UK. I've previously nabbed that for us in iTunes, so we can watch that easily.

However I'd like to watch The Hobbit film first. Which isn't streamable in the UK. But I'm now nabbing a Spanish-released DVD. Which includes the original English language audio.

As for sourcing animated Return of the King, well that remains elusive, at least without a region-free player.

But yup. Animated Hobbit and LOTR coming up soon for us. This may be *interesting*.

vivdunstan: Photo of some of my books (books)
I just read this for my book club, and really enjoyed it. Surprisingly I'd never read it before, though I know the 1940 Hitchcock film well, which won the Best Picture Oscar back in its day.

Rebecca is a gripping gothic thriller combined with psychological study. It has a rather leisurely pacing, which took me a while to adjust to. But then it felt more of a natural fit, and I was happy for it to have room to breathe. The story is that of a young woman, newly married and returning with her husband to his Cornish grand mansion home, only to uncover secrets from the past. I don't want to go into the plot too much, but I found it a real page turner. And even though I knew the core plot (there are very few differences between the 1938 novel and 1940 movie), it still kept me glued, through to the very end.

I have seen other movies based on Daphne du Maurier stories - Hitchcock's The Birds, and Nicolas Roeg's Don't Look Now. But I haven't read any more of her writings. And I need to fix that.

Rating 5/5 stars. Easily.
vivdunstan: A picture of a cinema projector (films)
I'd been planning to write this for a while. But was reminded by Roger Corman's recent passing.

These were the first horror films I fell in love with. My dad adored them, and encouraged me to watch them with him from a very young age. Probably too young an age! But I was quickly hooked, and like him loved them. Vincent Price's acting in these films is hammy and arch in many places, but perfectly suited to the material and treatment. And that combined with the exaggerated Edgar Allan Poe (usually) plots and lurid technicolour experience made them quite unique. I was far too young to be taking drugs or drinking alcohol, apart from a very small ginger wine at Christmas. But these were as close as I came to a hallucinogenic experience from a very young age.

Watching them again as an adult I'm much more critical, not least of the acting - and here I'm not so much talking about Vincent Price, but the guest cast - and ultimately it does feel like style over substance in places. But overall I am still delighted by them, and hope to continue to rewatch them for a long time to come. I am currently having fun introducing them to my husband, who'd never seen them before getting together with me. Next up in our watch/rewatch is The Raven. I was tossing up between various Price/Corman films we have recorded, but fell back on the rather nebulous "But it's culturally significant!" At which point he realised exactly which one I had picked.

In the scene Vincent Price's character (on the right) looks towards the raven bird (on the left)
vivdunstan: A picture of a cinema projector (films)
I grew up as a very young child watching and enjoying his many Vincent Price Edgar Allan Poe movies with my dad. My first huge horror movie love even before seeing Hammer films. I’ve been rewatching the Roger Corman films with Martin, and we have more recorded to watch. Will bump them up the viewing queue.
vivdunstan: Part of own photo taken in local university botanic gardens. Tree trunks rise atmospherically, throwing shadows from the sun on the ground. (Default)
Figuring out how I can watch some more of this year's Hugo Award shortlisted TV programmes before I vote. Have just bought digital copies of Star Trek Strange New Worlds seasons 1 and 2. 2 episodes in season 2 are nominated, but I know Martin will enjoy watching the lot. Though I will probably just watch the nominated ones, cos I've so little awake time. But I will try to watch the nominated episodes of Loki (1 ep) and Last of Us (1 ep), to give me the complete set to judge from. 2 Doctor Who episodes from last year are also on the list.

I also need to watch some of the nominated films to vote in that. And I'm hoping to read some of the shortlisted novels, novellas and related works, when the voter's packet is released.
vivdunstan: Photo of some of my books (books)
I've just finished this contemporary fantasy book, a debut publication by a new novelist. Who lives near Edinburgh of all places! I liked a lot about it. It's a combination of a tale of magic books / contemporary fantasy / time travel / thriller and I'd say memoirs in a strange way. But I did have problems, and that's why I've rated it just 3/5 overall.

The plotting is intricate, right through to the very end, and admirable. But I found the mass of characters being introduced early on and the chopping and changing of points of view tricky to keep up with, and hard to stay engaged with. However when it reached about halfway through something happened that was so very clever as writing. I was rather wowed. And then from there it careers towards the finale. Again densely plotted.

Beware it gets very violent in places. Very violent. This is not what I would term a young adult read for that reason. It's closer in some respects to crime fiction in that respect. It also strangely reminded me of the TV scifi series Heroes, with the many protagonists in there. But it was a bit overwhelming to read in book form. Though on plus it's very cinematic, and I could easily imagine this book adapted to a movie version.

However for fans of contemporary fantasy who aren't deterred by violent bits in places I'd recommend this. Just maybe beware going in that it is going to be a bit choppy in narrative, especially earlier on, and you may need to give it more time to get hooked.

I would definitely read another book by the same author, but would prefer one with a fresh plot and concept. I am also looking forward to seeing the author chat about this book at the Cymera book festival in Edinburgh in the summer. I have an online weekend pass for that whole festival, and will be watching - mainly on catchup - with interest.

Has a gothic dark blue design with books and doors scattered across it
vivdunstan: A picture of a cinema projector (films)
We recorded this ages ago, and meant to watch it months ago, but are finally getting to it now! It’s a rewatch for me, after catching it late one night in the 1990s. Martin has never seen it. It’s the tale of two young men who commit a murder, then what happens after. Directed by Alfred Hitchcock.

It’s remarkably accomplished, with a limited cast, and a very compact almost theatrical setting. And James Stewart’s presence is always a win for me. However it’s overly talky early on, and for me one murderer sometimes gets quite annoying! The prolonged takes are technically impressive, but arguably less interesting than the acting and growing sense of tension. Overall though it’s a win for me. And who’d think lifting a lid could be so gasp worthy.

I also greatly appreciate its succinctness, compared with many modern movies.

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vivdunstan: Part of own photo taken in local university botanic gardens. Tree trunks rise atmospherically, throwing shadows from the sun on the ground. (Default)
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