vivdunstan: A vibrantly coloured drawn image of David Tennant's Doctor, with sonic screwdriver in his right hand (tenth doctor)
We watched this last week, another 20-years-on anniversary rewatch. I remembered really liking this story on first watch, with some provisos. And it's still great.

Tightly written, full of content. There's an original Scottish setting, and it was nice to see David Tennant's Doctor use a Scottish accent, and be incorporated into the plot.

Rose is very resourceful and brave, leading the prisoners' defence. But at the same time she is phenomenally irritating re the repeated "We are not amused!", and her Princess Anne jibe was incredibly misjudged by RTD. And I say that as a non royalist.

The episode is full of exciting action scenes, from the opening monk acrobatic hijinks, through to the werewolf transformation, and the final climax.

A strong guest cast, mostly Scottish, helps immensely. Pauline Collins - a Classic Who returnee to Doctor Who - is a memorable Queen Victoria.

Much running along corridors, and more stairs. But effectively done, and not annoyingly repetitive.

Some nice uses of history, and as a book historian I especially liked the woodcut showing something relevant from James V's era. Unlike Jonathan Creek's "Satan's Chimney" episode with Mary Tamm, this story at least got the correct Scottish monarch!

And nods to the future, re both Torchwood and Bad Wolf.

Great stuff, albeit still with a few quibbles. And, yes, incredibly tightly written, which again RTD2 and also Capaldi-era Moffat could take lessons from.

Oh and the early 2000s special effects seemed to hold up well for me watching two decades on.
vivdunstan: A picture of a cinema projector (films)
Finally getting to this, though it will take us at least two watches to get through it, given how sedated I am. Eyes were peeled for Leaderfoot Viaduct near Melrose near the start! There was much excitement there when the filming happened.

Impressions so far, halfway through, are positive. Though if anything it seems over hectic: too many prolonged action sequences, not enough calmer bits. I don’t remember earlier Indy films leaning so heavily towards the former, but that may just be my bad memory!

I’m impressed by how well the de aging of Harrison Ford and Mads Mikkelsen worked. I expected it to be more jarring. I only found some bits when Indy’s face turned side on to look badly fake. I found the horse and bike race visual effects more dodgy. Amused to see a pipe band, in a bit filmed in city centre Glasgow.

Phoebe Waller-Bridge is doing a good job, and Helena is suitably unreliable and hard to pin down. Nice to see John Rhys-Davies again. Though he’s toned the accent down! And Toby Jones was fab.

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vivdunstan: Part of own photo taken in local university botanic gardens. Tree trunks rise atmospherically, throwing shadows from the sun on the ground. (Default)
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