vivdunstan

I've just finished my marathon viewing of a large bunch of videos on catchup from the Glasgow Worldcon this summer. Watching on catchup I missed out the chance to take part in the live Q&As. And I also found the user interface rather cumbersome, that I had to watch on my laptop, which limited how frequently I could do so. But I still managed to get through quite a large number of talks.

Here are the events I watched, each one about an hour long, typically with 45 main minutes of discussion, followed by 15 minutes of audience Q&A:

• AI and Work - Do Androids Dream of Taking Your Job?
• ENIAC and the Post-War Dawn of the Computer age
• The Horror Out Of Space
• *Scot-ish: The Influence of Scotland on Fantasy Worldbuilding
• It's Life, Jim, but Not as We Know It
• *Iain Banks: Between Genre and the Mainstream
• All the Shakespeare: the Bard's Influence on SFF
• The Untold History of Worldcons
• Inadvisable Rocket Science
• A Fireside Chat with Samantha Béart
• Guest of Honour Interview: Ken MacLeod
• *The Many Legs of SF: Creepy Crawlies in Space
• 50 Years of TTRPGs
• Comics Can Save Your Life
• Faeries in Fantasy Literature

I've marked out above those with asterisks that I especially enjoyed. To pull those out specifically these were:

• Scot-ish: The Influence of Scotland on Fantasy Worldbuilding
• Iain Banks: Between Genre and the Mainstream
• The Many Legs of SF: Creepy Crawlies in Space

The first two of these had obvious Scottish connections, which I unsurprisingly appreciated. But I also found them particularly rewarding in other respects. But I enjoyed something in everything I watched, not just these particular highlight talks.

Martin and I had originally hoped to be at the Glasgow 2024 Worldcon in person. We had low cost attending memberships in place. But things didn't work out that way. However I was able to watch on catchup, and have very much enjoyed that. I was also active in the Discord during the convention, and treated myself to some purchases inspired by the Dealers' Hall.

Envious of my friends (including some St A CS folks!) who are heading to the Glasgow Worldcon this week. Sadly though we have in person attending tickets we can't go. I'm far too seriously ill now to manage it. Plus the infection risk is too high for severely immunosuppressed me. We can use the streaming part of our tickets though, both during the event, and on catchup after through to Christmas. So will get to see lots. Have fun folks going!

I thought it might be nice to do a series of blog posts about fandoms I engaged with at a very early stage. I was born in the early 1970s, so as a youngster particularly enjoyed TV from the late 1970s through to the early 1990s.

First up it's Robin of Sherwood, the ITV version of the legend that aired from 1984-1986. I loved this: an intoxicating mix of myth, folklore, magic, action and romance. All in gorgeous countryside too. And made even better with a soundtrack by Irish folk group Clannad. Just fab stuff. Though I'm very much more of a fan of the first Robin incarnation played by Michael Praed. I struggled when Jason Connery took over. It was rather similar to how I felt when Romana regenerated in Doctor Who, even if I did get used to it.

In terms of organised fandom I was a member of Forest, a Robin of Sherwood fan club based in Glasgow, Scotland, that existed from 1986-1988. I never attended any events in person, but got a regular fanzine through the post. I also entered their competitions, and won a script from "The Swords of Wayland", signed by series creator and writer Richard Carpenter. My original prize went missing in the post, but when I queried it later Richard (or "Kip") sent me a replacement himself.

It was many years before I saw Robin of Sherwood again after the series ended. I am part way through a rewatch again now (it's on Britbox, and there is a Blu-ray release). It's still magic. The best TV or film version of the Robin Hood legend for me. And absolutely a product of the 1980s.