vivdunstan

On to the next audio, and it's another one where Benny's off to another planet, to investigate a curious archaeological thing. In this case she's asked to look for the remains of a local warlord who's key to the local religion.

On plus after the recent run there were no scenes of torture. In fact it's a rather light audio, albeit with some scary scenes. The monks that Benny encounters are a curious bunch, and there turns out to be a reason for that. And what she discovers in the wreckage of a spaceship is not exactly what they expected ...

The best bit about the audio is Benny's quasi companion Keri, an old friend of hers, an almost mouse-like alien, who is there to record Benny's discoveries and broadcast them to viewers across space, using highly amusing roaming cameras. Keri is full of character, and very well played by guest star Jane Goddard (incidentally the wife of TV episode "Dalek"'s writer Rob Shearman). And their rapport, which does evolve too, is a delight to listen to.

So a rather light audio, not outstanding, but entertaining enough. And hey, no signs of torture.

The next audio looks like an important one. Looking forward to that.

Here are my three main reads at the moment: "Our Mutual Friend" by Charles Dickens (an umpteenth time reread), "Eerie East Anglia" collection of weird/spooky short stories from the British Library, and Esmie Jikiemi-Pearson's fantasy / timey wimey / space epic "The Principle of Moments".

I've just finished my marathon viewing of a large bunch of videos on catchup from the Glasgow Worldcon this summer. Watching on catchup I missed out the chance to take part in the live Q&As. And I also found the user interface rather cumbersome, that I had to watch on my laptop, which limited how frequently I could do so. But I still managed to get through quite a large number of talks.

Here are the events I watched, each one about an hour long, typically with 45 main minutes of discussion, followed by 15 minutes of audience Q&A:

• AI and Work - Do Androids Dream of Taking Your Job?
• ENIAC and the Post-War Dawn of the Computer age
• The Horror Out Of Space
• *Scot-ish: The Influence of Scotland on Fantasy Worldbuilding
• It's Life, Jim, but Not as We Know It
• *Iain Banks: Between Genre and the Mainstream
• All the Shakespeare: the Bard's Influence on SFF
• The Untold History of Worldcons
• Inadvisable Rocket Science
• A Fireside Chat with Samantha Béart
• Guest of Honour Interview: Ken MacLeod
• *The Many Legs of SF: Creepy Crawlies in Space
• 50 Years of TTRPGs
• Comics Can Save Your Life
• Faeries in Fantasy Literature

I've marked out above those with asterisks that I especially enjoyed. To pull those out specifically these were:

• Scot-ish: The Influence of Scotland on Fantasy Worldbuilding
• Iain Banks: Between Genre and the Mainstream
• The Many Legs of SF: Creepy Crawlies in Space

The first two of these had obvious Scottish connections, which I unsurprisingly appreciated. But I also found them particularly rewarding in other respects. But I enjoyed something in everything I watched, not just these particular highlight talks.

Martin and I had originally hoped to be at the Glasgow 2024 Worldcon in person. We had low cost attending memberships in place. But things didn't work out that way. However I was able to watch on catchup, and have very much enjoyed that. I was also active in the Discord during the convention, and treated myself to some purchases inspired by the Dealers' Hall.

More information has been released about this today, including details of new cast members, and a little bit more about plot. For full details see here.

Leading the series are Russell Tovey and Gugu Mbatha-Raw, though not playing their previous Doctor Who characters of Alonso and Tish. Also present are UNIT's Kate Stewart (Jemma Redgrave) and Colonel Ibrahim (Alexander Devrient). Also returning are Ruth Madeley's UNIT scientific officer Shirley Bingham, and Colin McFarlane's US Army general Austin Pierce from Torchwood: Children of Earth.

The series focuses on how Earth copes when the Doctor is not around (*cough cough* Fourteenth Doctor *cough cough*). And the baddies in this series are the Sea Devils. Who recently appeared in a very poor Jodie Whittaker episode of Doctor Who. But were visually awesome. So fingers crossed for better this time.

Filming is underway, and will continue through to at least December. The series is intended to air on the BBC and iPlayer in the UK, and on Disney+ in the rest of the world.

Here are the three books I bought today in Toppings St Andrews and at the Wardlaw Museum in St Andrews.

This is always one of my highlights of Worldcon, boggling at the range of SFF/cult/horror merchandise on offer. I can spend literally hours in there, browsing stuff. And often buy too much. Which would not have been so big a problem this time with a con in Scotland. But can be a big problem when coming home by plane!

The Glasgow Worldcon has an online list of dealers who were planning on coming, as of mid July. But it is absolutely no substitute for being there in person, and immersed in the sheer mass of awesome stuff to browse and buy.

I may have to indulge in some not-at-Worldcon retail therapy to make up for missing out ...

I just wrote up my experience watching masses of Cymera 2024 on streaming.

Starting with my CYMERA festival catchup. This festival of science fiction, fantasy and horror writing is happening in Edinburgh this weekend, but luckily though I can’t go I bought a digital ticket in advance. So I’m just now watching a talk from Saturday morning (Doctor Who and Star Trek content!). Very much up my street!

I thought I'd write up some brief thoughts on these, ranging over the TV series, Big Finish audios (which are now newly rereleased), the annual book and Look-In comic strips. Note there will be slight spoilers below, so beware. As a reminder Sapphire & Steel was a British spooky/scifi TV series, airing on ITV between 1979 and 1982. Lots more information is available on its Wikipedia page

From the original TV series, which had six stories, two of them are strongest for me. The second story, set in an abandoned railway station, and the fourth story, the one with the man without a face. Both unnerved me far more than anything else in the TV series, and leave thoughts of lingering horror long after! This is a good thing though. The series achieved its aims. But it is also terrifying. The railway station is one of the stories with some of the darkest plot elements in it. And the images in the other story, especially for a young child as I was when first watching, are almost primal in their horror.

From the Big Finish audio series there are a number of stories that stand out for me. The first is the opening one, The Passenger, where we newly meet the recast Sapphire & Steel on a train journey. In many ways it's a best of, with lots of familiar elements from the TV series reused well. But it also acts effectively as a great introduction to the new series. And nicely introduces an ongoing fellow element, Gold, played by Mark Gatiss.

Another highlight story early on in the audio series for me was All Fall Down. This was set in a historical archive, where objects are potential triggers for the past. Obviously this appealed to a historian like me. But it's also a really good storytelling idea for Sapphire & Steel, giving a tight location combined with atmospheric triggers leading to the past. Nicely we also encounter Silver, another element from the TV series, again played by David Collings.

My two favourite stories from the second Big Finish audio series are The Surest Poison and Water Like A Stone. The first revolves around the history of a valuable old watch, and again includes shifts through time. The other story is set in an abandoned theatre, and introduces yet another element, Ruby, played by Big Finish stalwart Lisa Bowerman. Who recurs in stories after this one.

The third season of the audio series was more of a mixed batch, though I did like the experimentation of opening story Second Sight. But for me the strongest stories were definitely in the earlier years. And I would highly recommend any of the audio series to TV series S&S fans.

I reviewed the 1981 Sapphire & Steel annual for a fan publication, so have detailed notes on that too. It is - like Doctor Who annuals from the same era - plagued with some seriously dodgy artwork and non likenesses. Like them it was a World publications book! However there were some nice text stories. And I'd like to especially mention the fourth story set in an astronomical observatory, but again with historic elements. This was the strongest story for me in the book, and very atmospheric.

There was also an ongoing series of Sapphire & Steel comic strips in Look-In children's TV magazine. I loved these, but haven't seen them for many years. There used to a (dodgy) digitised version online, but I think that vanished long ago. Fingers crossed for a reprint, perhaps from Chinbeard Books who have reprinted the Robin of Sherwood Look-In comic strips. I have an especially vivid memory of one of the Sapphire & Steel comic strips involving a ship in a bottle, and Sapphire and Steel somehow getting trapped on the ship. But I'm not sure how reliable that memory is. It was a great series of strips though.