vivdunstan

I've been continuing to slowly rewatch the early Peter Capaldi incarnation stories. But not feeling the urge to blog about them individually. And also, frankly, struggling to keep watching fully through many of them.

I find this early stage of his Doctor so phenomenally unlikeable. I watch it for Clara, not the Doctor. And then I constantly wonder why she sticks with him. I'm used to post regeneration trauma and all. And, hey, I watched through the Sixth Doctor stories 40 years ago. But I don't have the patience for it this time. And I'm finding it a particularly difficult set of stories to rewatch.

Against that Peter Capaldi's casting was one of the most exciting for me in Doctor Who ever. And he would go on to be superb in the ninth season, with the Doctor's character and relationship with the companion heavily reworked. But I struggle to rewatch much of season 8. I still think it was a fundamental mistake in approach by Steven Moffat.

Yet there are some absolute standout classics even in this year. "Listen" and "Flatline" are both superb. And I have a really soft spot for "Mummy On The Orient Express", despite the Doctor/companion extreme angst.

But, yup, not a happy fan rewatching at the moment. It's just as well I'm enjoying the Fifteenth Doctor's new stories on TV so very much!

20 years ago "Rose", the first episode of the relaunched Doctor Who, aired. This was the start of an opening series starring Christopher Eccleston as the Ninth Doctor and Billie Piper as his companion Rose. And what a return.

Though I felt that Christopher Eccleston sometimes seemed uncomfortable in the part, particularly the more humorous sections, Billie Piper was a revelation. I knew her before then as a pop singer, a pre Britney UK version of Britney Spears. And then wow, she could really act. And now is a multi award winning stage actress. There's no way that Doctor Who would have been such a hit on its return without her part in it.

The overall feeling from the first season for me was fun and vitality. Doctor Who was back with confidence and pizzazz, and it sure delivered. Albeit with often scares and even pathos. Losing the Ninth Doctor at the end of the season was a shock, but as a one-season run for that Doctor (before Big Finish made many audios more recently with Christopher Eccleston returning to the role) it was very strong, and remains so viewed today.

My favourite story from this opening series by a long way is the two-part "The Empty Child" / "The Doctor Dances". When this aired it even bumped 1979's "City of Death" from the all-time top spot for me. And it's retained that place in the two decades since. This story is a perfect mix of historical, terror, horror, humour and pathos. It was also the first time I'd seen Steven Moffat's writing (yes I missed the 1999 "The Curse of Fatal Death"!) and I was wowed.

The other absolute standout for me from this series is "Dalek" by Robert Shearman. Cleverly reworking a Big Finish audio, this relaunched Daleks for a new audience, all through presenting just one of them on screen.

And my other favourite story is "Rose". Which was a superb introduction for new viewers and old timers alike. Absolutely brimming with confidence.

I could write much more, but for now just want to say "Happy birthday New Who!" And yes, I will be watching my all-time favourite story again tonight.

Writing up brief reviews of a couple more stories in my Matt Smith era rewatch, which is nearly over. As I write these reviews it is currently Doctor Who's 61st birthday. Happy birthday to my all time favourite TV show, which I have watched almost continuously (I didn't know about and missed the 1996 TV movie!?) during its broadcasts ever since 1978 and the Key to Time series.

I am going to discuss spoilers, but not put them into spoiler space after all this time. Look away if in doubt though.

These two stories, as well as the Night of the Doctor minisode between and The Time of the Doctor after, provide a quadrology of "of the Doctor" stories. Which is a surprisingly little used title form for the series. Though recently we had "The Power of the Doctor" with Jodie Whittaker.

"Name" provides an answer to the long running Clara mystery, with her jumping into the Doctor's time stream, and scattering into splinters. This was a satisfying resolution for me, and also neatly handled in a way that led in to the mystery of John Hurt's War Doctor.

Not so good was the rest of the episode for me. It felt like it had too many things packed in, and lots didn't get enough depth. I liked the conference call, with Vastra, Jenny, Strax, Clara and River. I liked the farewell between River and the Doctor. But so much else, including Richard E Grant's Great Intelligence and the Whisper Men, was just too much thrown in. Of course without REG we wouldn't have seen Clara jump into the Doctor's time stream. Yes, REG's character was necessary. But a lot felt clumsy, and too thinly spread.

"Day" by contrast has an extended running time. 77 minutes versus 44 minutes for "Night". and it needed that to balance its many elements. There are slower, more thoughtful moments, such as John Hurt's War Doctor's trudge to the barn. But these are matched by numerous hectic action scenes. And just so many ingredients. Elizabeth I and Zygons, UNIT in the present day Tower of London, Gallifrey during the Time War, the High Council of Gallifrey, Doctors and their TARDISes swirling. But somehow, and even though it feels as though it shouldn't, it works. Really well.

Even the three main incarnations of the Doctor on screen are each given sufficient time. It does feel like a Matt Smith episode though. He's at the start and end, bookmarking, and is in no way outshone by David Tennant or the War Doctor. I *love* how the War Doctor effortlessly sums up the other pair in a few words, far from flattering. Billie Piper, this time as a sentient interface to a weapon of mass destruction, works too. And yes, Clara is also well handled. This is by far the best representation of her since The Snowmen, though Steven Moffat writing her again will have helped. It was a little strange to realise there must have been quite a time jump, for her to qualify as a teacher. Of course she's at Coal Hill School. But that's ok too.

Ultimately though the episode is a love letter to the past. The scene where multiple Doctor incarnations appear briefly to save Gallifrey is epic. This was the first time my husband had any clue about the next doctor after Matt Smith, and he recognised Peter Capaldi immediately from just his eyebrows! The best nod to the past for me though had to be Tom Baker's appearance. I'd heard a hint that he might appear, but forgot when watching. And then was in tears seeing it on screen. The doctor of my first years as a fan, and still one of my all time favourites. And played and scripted so beautifully.

So yes, a lot to like. I would also highly recommend the Target novelisation of this, written by Steven Moffat himself. Which plays with the structure and details in a highly imaginative way. A great read, even if you think you know the version from the telly.

Just one more Matt Smith story to go. To quote my all time favourite doctor "I don't want to go ..."