vivdunstan: Part of own photo taken in local university botanic gardens. Tree trunks rise atmospherically, throwing shadows from the sun on the ground. (Default)
[personal profile] vivdunstan
Bumped this up my viewing list, because the play is going off streaming through National Theatre at Home at the end of this month. It can be viewed before then by people like me who subscribe to the service (I was lucky to nab a reduced price offer before Christmas), or on a short-term rental view.

The play was staged in early 2024 and is a dramatisation of the life of Aneurin 'Nye' Bevan, who spearheaded the launch of the National Health Service in the UK in 1948. The play tells Bevan's life, looking back from his final days in hospital, as sedated he dreams back to his youth as a miner's son in Wales, early political life, his courtship of his wife, Westminster politics of WW2, and then the fight to found the NHS.

The staging is creative, being set largely in a hospital ward, but repurposing the props - including beds - as well as patients and staff to take on the various roles of people Nye encountered in his life. This staging took a little getting used to, and the play runs briskly along. But it certainly grabs the viewer's attention.

The central performance of Michael Sheen as Nye Bevan is riveting, and ably matched by Sharon Small as his Scottish wife and fellow Labour politician Jenny Lee. Their relationship feels vital to the play as a whole, but is surprisingly underdeveloped after their first striking meeting.

The foundation of the NHS happens near the end of the play, and feels surprisingly rushed, and a story only partly told. There is very effective staging of a group of doctors seen above, debating whether to join the new NHS. The toing and froing here between Bevan and the doctors is gripping. But then it's over, the NHS is founded, and the play finishes soon after.

An admirable theatre experience, though I think the play script could have balanced some aspects of the story better. However the performances are gripping, and the staging held my attention throughout. Recommended.

Date: 2025-03-19 06:29 pm (UTC)
greenwoodside: (Default)
From: [personal profile] greenwoodside
Yes, I saw this as a live broadcast. I felt it suffered from being too much of a hagiography. If anyone deserves to be the subject of a modern hagiography, Aneurin Bevan has a strong case. But I do prefer plays to have a kind of consistent argument or conflict(s) in their essence, even if one voice is clearly permitted to be the superior party, and this didn't. It entered the film biopic territory of 'and then this happened, then this, then this...'

All that said, I did really enjoy it and was never bored. Michael Sheen was great.

Just deleted a couple of paragraphs about life before the NHS, because I realised I knew very little about it. But I was moved by the fate of Bevan's father -- his pneumoconiosis.

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vivdunstan: Part of own photo taken in local university botanic gardens. Tree trunks rise atmospherically, throwing shadows from the sun on the ground. (Default)
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