vivdunstan

Back home from the V&A Dundee now. Really enjoyed the Kimono exhibition. We could turn up any time to get in, with our new joint memberships, and the V&A staff handled that we hadn't got our member cards in the post yet. I came away from the front reception desk with a freshly printed temporary membership card, and they will look into the missing cards (I'm thinking Dundee East postal depot backlogs!). It was incredibly busy when we got into the exhibition, so much queuing needed to get around the different sections. Slightly anxiety inducing for infection phobic us. We dodged a few obviously coughing or sneezing people ... And we skipped some bits that were of less interest. But I saw all the bits I really wanted to see. I was especially interested in the early history and some of the related artefacts on display. Plus kimono pattern books and drawings and paintings from the 18th and 19th centuries. I was agog at those. I only had a few things I struggled to see from my wheelchair because of height/arrangement. More of a problem was navigating around the fellow visitors, who were so engrossed that we'd often have to very clearly alert them to wheelchair coming through. I needed a horn! But we both enjoyed it and are glad we went. And just outside was the Dundee Tapestry exhibition still, which was also attracting lots of visitors, and we were happy to go round it. Bought stuff in the shop after - which is still a bit too much of a squeeze with a wheelchair, though somewhat improved after my feedback a year ago which they acted on. Then coffee and bagels lunch at the kiosk/van outside. Very glad we made it, though I won't be surprised if the same thing happens as last time we went there, and we've picked up an infection (was Covid a year ago). Fingers crossed not though!

P.S. Martin just said he could have done with fewer physical kimonos on display. I also found some of those some of the less interesting elements of the exhibition. But as he said, if you went to a kimono exhibition and didn't see lots of kimonos you would probably be justifiably disappointed! But overall the balance was good.

P.P.S. Have just emailed the V&A Dundee with some feedback on the Kimono exhibition, including how it was much better for me accessibility wise than Tartan, and also to thank them for improvements they have made re accessibility in the shop. Which they did after my feedback a year ago.

I've just started reading The Art Thief by Michael Finkel about a particularly prolific thief of Renaissance paintings and other art works. The first theft of his that the book describes was the 1997 theft of an ivory sculpture of Adam and Eve from the Rubenshuis in Antwerp. Martin went there when we were in Antwerp for me to attend a book history conference in 2014. He was pushing me around the conference in my wheelchair, but exploring the city alone when I was having my rest days in between. And he got to Rubenshuis. And yes, he photographed that stolen item! It had been returned to the museum after the theft some years earlier. Small world.

Reminded of a talk I gave 10 years ago today to the Economic and Social History Society of Scotland conference in Inverness. As I wrote then: "Also my talk on 17th century Melrose area court records went well. I said two things I didn’t plan to say: 'CSI Melrose', and 'Murrrdddeerr' a la Taggart! I do improvise a lot in conference talks, and am never quite sure what I will say!"

I don't think I'll ever be able to give another academic conference talk again, given my progressive neurological illness now, but it was fun while I still could. For this one back in 2013 I had to use my wheelchair that day. Luckily the venue was pretty accessible.