Oct. 22nd, 2024

vivdunstan: Sidney Paget drawing of Holmes and Watson in a railway carriage (sherlock holmes)
Onto another story, and, like "A Scandal in Bohemia", this is one I've appreciated more on reads than watching the Jeremy Brett TV version. And this latest read was no exception.

It is gloriously Christmassy, and I really feel as though I should have been reading it in a couple of months time from now! There are vivid descriptions of the cold, wintry weather. And I think reading that is far more immersive than even a visual depiction on the TV version.

The story revolves around a festive goose which has turned up in mysterious circumstances. And even more mysteriously it turns out to have a giant gemstone inside it. Holmes has to deduce how this happened, and solve a crime, and of course he does so, brilliantly.

There is a very lengthy deduction section, where Holmes shows off his skills. This time starting from a hat. It's great to read, not feeling overlong, and it does set up the rest of the story.

I loved the dashing from location to location as Holmes and Watson followed the clues about the goose, back to its origins. There is also a highly amusing conversation in Covent Garden, with a very reluctant poultry seller. And I was amused when Holmes traced someone by placing an advert in the newspapers, that he was sure the person would see the next day.

Ultimately the mystery is resolved, and things are wrapped up. And all round it's just very satisfying. Though again, I think, best read at Christmas. I do wonder what I will think when I rewatch the Jeremy Brett version soon.
vivdunstan: Part of own photo taken in local university botanic gardens. Tree trunks rise atmospherically, throwing shadows from the sun on the ground. (Default)
I've just finished my marathon viewing of a large bunch of videos on catchup from the Glasgow Worldcon this summer. Watching on catchup I missed out the chance to take part in the live Q&As. And I also found the user interface rather cumbersome, that I had to watch on my laptop, which limited how frequently I could do so. But I still managed to get through quite a large number of talks.

Here are the events I watched, each one about an hour long, typically with 45 main minutes of discussion, followed by 15 minutes of audience Q&A:
  • AI and Work - Do Androids Dream of Taking Your Job?
  • ENIAC and the Post-War Dawn of the Computer age
  • The Horror Out Of Space
  • *Scot-ish: The Influence of Scotland on Fantasy Worldbuilding
  • It's Life, Jim, but Not as We Know It
  • *Iain Banks: Between Genre and the Mainstream
  • All the Shakespeare: the Bard's Influence on SFF
  • The Untold History of Worldcons
  • Inadvisable Rocket Science
  • A Fireside Chat with Samantha Béart
  • Guest of Honour Interview: Ken MacLeod
  • *The Many Legs of SF: Creepy Crawlies in Space
  • 50 Years of TTRPGs
  • Comics Can Save Your Life
  • Faeries in Fantasy Literature
I've marked out above those with asterisks that I especially enjoyed. To pull those out specifically these were:
  • Scot-ish: The Influence of Scotland on Fantasy Worldbuilding
  • Iain Banks: Between Genre and the Mainstream
  • The Many Legs of SF: Creepy Crawlies in Space
The first two of these had obvious Scottish connections, which I unsurprisingly appreciated. But I also found them particularly rewarding in other respects. But I enjoyed something in everything I watched, not just these particular highlight talks.

Martin and I had originally hoped to be at the Glasgow 2024 Worldcon in person. We had low cost attending memberships in place. But things didn't work out that way. However I was able to watch on catchup, and have very much enjoyed that. I was also active in the Discord during the convention, and treated myself to some purchases inspired by the Dealers' Hall.

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vivdunstan: Part of own photo taken in local university botanic gardens. Tree trunks rise atmospherically, throwing shadows from the sun on the ground. (Default)
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