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This is a book about Victor Hugo's book Les Miserables, and its writing, structure, publishing, reception, and legacy. Note I couldn't fit the author's full name into the subject field of this review. It's written by David Bellos, Professor of French Literature at Princeton University.
It is a book that is probably best read by those who have either read the original Hugo novel already, or know the musical version really well (or both). Because it is extremely spoilery re the novel's plot. I also felt it had a bit too much about French political history in places, and it dragged sometimes.
However overall it was a strong read, rating 4/5 stars. As well as much about the structure of the novel and its hidden meanings (e.g. words for currency, Hugo's use of slang, and so much more) I found the publishing history an incredible read. Much of the novel was written by Hugo in exile in Guernsey. And so when it came to be published, including proofed and typeset, this was done via mail boat between Brussels and Guernsey. Which was fraught in so many ways, especially in the time scale the publisher was pushing towards. Hugo's domestic setup was also curious. He lived with his wife, daughter and sometimes sons. But had also established his long-term mistress in a neighbouring house beyond the end of his garden. And he would dine with her each day. His mistress was also the main person taking on the tax of writing out in neat form his finished manuscripts. A task she shared with Hugo's wife's sister. Some curious interpersonal relationships!
I would personally have liked more reflections on the after legacy of the novel, not least more on the musical which spread the story's reach even further. This book wraps up too quickly. But as effectively the biography of the life of a novel, including its production, it was strong.
It is a book that is probably best read by those who have either read the original Hugo novel already, or know the musical version really well (or both). Because it is extremely spoilery re the novel's plot. I also felt it had a bit too much about French political history in places, and it dragged sometimes.
However overall it was a strong read, rating 4/5 stars. As well as much about the structure of the novel and its hidden meanings (e.g. words for currency, Hugo's use of slang, and so much more) I found the publishing history an incredible read. Much of the novel was written by Hugo in exile in Guernsey. And so when it came to be published, including proofed and typeset, this was done via mail boat between Brussels and Guernsey. Which was fraught in so many ways, especially in the time scale the publisher was pushing towards. Hugo's domestic setup was also curious. He lived with his wife, daughter and sometimes sons. But had also established his long-term mistress in a neighbouring house beyond the end of his garden. And he would dine with her each day. His mistress was also the main person taking on the tax of writing out in neat form his finished manuscripts. A task she shared with Hugo's wife's sister. Some curious interpersonal relationships!
I would personally have liked more reflections on the after legacy of the novel, not least more on the musical which spread the story's reach even further. This book wraps up too quickly. But as effectively the biography of the life of a novel, including its production, it was strong.
