petra: Cartoon of Shakespeare saying, "Read my latest, it is god damn glorious." (Beaton - Shakespeare)
[personal profile] petra
I am reading Retrograde, an Old Guard story, off a recommendation from the Rec Center newsletter. It is charming, and I am more than happy to forgive it its comma splices for the well-told tale of Nicky waking up at a different point in his own history every time he dies.

What made me pause to cry laughing was actually a footnote in the fic that "'Snails" is a minced oath for "God's nails," as cited in Green's Dictionary of Slang from 1599.

I haven't giggled this hard at something snail-related since the Barricades Con did a snéance (a snail séance) to ask Victor Hugo a few burning questions.

I am also sad all over again that they didn't name the sequel 2 Old 2 Guard, and that it wasn't good, but that is a Doylistic set of concerns, and when I am enmeshed in the story, I don't care so much.

Stoppard.

Nov. 29th, 2025 10:57 pm
elisem: (Default)
[personal profile] elisem
 He were brilliant.

Mr Ford took me to London (first class, yet, as he had to use up a lot of frequent flyer miles on a reorganizing airline, so we went fancy) to see Arcadia at the NT. It was stunning.

Glad we had him on the planet. He will be missed.
elisem: (Default)
[personal profile] elisem
 I test negative for COVID these days, and feel a lot better. As directed by many people who learned some of it the hard way, I continue to rest LIKE A POTATO. And no, the giggle-inducing power of that phrase has not worn off. Juan has a way of intoning it at various sleeptimes that brings even more amusement due to the solemnity. And these things are good.

HOWEVER, what is not so good is that I'm considerably behind on getting things into the Etsy store. 

Also what is not so good is that a new computer is needed. (Shopping will be done, the passive voice will be employed, and so forth.) Also, since other debts are also had, the means to pay them must be acquired.

YOUR KINDNESS is hereby requested in the form of sending people to my shop (or going yourself, yes please!) so that I may exchange the fruits of my labors for money that I can then give the computer-making people and the other-stuff-I-have-to-pay-people. If it works out right, we're all happy. (Also it will help me not freak out about money, which turns out to make resting LIKE A POTATO a little harder.)

The shop is: https://www.etsy.com/shop/LionessElise

Also also, being at the workbench is the most calming thing I know, so I'm doing a tiny bit of that, but I need to put things into the shop for people to be able to see them. Commerce does not work so well otherwise. (I am reminded of Patricia C. Wrede, who upon receiving a sheepish negative answer when she asked me if I had sent a certain story in yet, declaimed in ringing tones, "PUBLISHERS DO NOT CONDUCT HOUSE-TO-HOUSE SEARCHES FOR PUBLISHABLE MANUSCRIPTS! SEND IT IN! YOU HAVE TO SEND IT IN!")

Anyhow, yeah, I very much need to make some moneys happen, and the most direct route for me is making shinies happen for people that want shinies, so if you can help them find my work that would be awesomely helpful.

You have my deep gratitude, and if there's anything I can do for you, please let me know.

Social Problems Projects

Nov. 29th, 2025 08:25 pm
soc_puppet: A pink-eyed white rat cosplaying the Prince of All Cosmos rolls a colorful katamari ball across the screen; the text reads, "Ratamari Damacy". (Katamari Nezumi)
[personal profile] soc_puppet
For our final project in Social Problems, we have to pick something we think is a social problem, find research on it, then turn our findings into a creative project with accompanying one-page paper.

Luckily, the paper has a very thorough template where pretty much all I'll need to do is write one sentence per prompt and I'll be done; I think I've done okay with picking my problem and doing my research, so now what I need to do is to turn said problem into a creative project.

The problem I've chosen is infosec/(lack of) privacy in the age of Big AI; I think I'm going to make a board game about the dangers of not having secure information?

I'm planning to go very simple: A space-by-space game board (think Candyland), and movement by D6. Part of me really, really wants to go over-the-top and come up with a token system (when you land on a marked space, you draw a card, and based on that card you either pay or receive a Privacy Token; the goal would be to make it to the end of the path with the most tokens, and if you lose all of them, you're out of the game), but that's probably too ambitious for right now.

Honestly, I'll take something closer to a Snakes and Ladders approach, where landing on a marked card has you moving forward or backwards extra spaces depending on whether the space has good or bad infosec practices. I may still need to look up some game theory to figure out how often I should place which spaces, but it's much less than if I go with the cards-and-tokens route. Probably less fun as well, but this isn't exactly the only final project I have to do this semester...

Anyway! Time to come up with a list of good and bad infosec practices and think about where they'd need to appear on a board game!

It's Dark Outside Cards - 2025

Nov. 29th, 2025 08:46 pm
petra: Barbara Gordon smiling knowingly (Default)
[personal profile] petra
Also open to people for whom it is Not Dark Outside in the Southern Hemisphere.

Let me know if you'd like a holiday card, with or without short verse or prose, or a short piece of fiction in your inbox.

Even if you know I have your address, if you want a physical card, I would appreciate your leaving it in a comment on this post -- all comments are screened -- so I don't have to hunt for it. I'm in the US and have a pile of domestic and international stamps just waiting to come see you.

Please format your request like so:

I would like [a physical card/just a physical card, no fiction/just a piece of fiction or verse sent digitally], please.

If you want a physical card:
Envelope Name
Address formatted the way your country likes them done

Card Name (if different from envelope name):

If you want some words:
Please write me a [drabble or poem], [silly or serious or smutty or author's choice], for [one or more of these fandoms (the fandoms I know)] on the theme of [my favorite trope(s)]. Please avoid mentioning [winter holidays I don't celebrate].

Optional if you want to reciprocate:
I'm planning on sending holiday cards and don't have your address. Please provide it [at this link or in a reply comment].

Today was bright and cold

Nov. 29th, 2025 08:03 pm
conuly: (Default)
[personal profile] conuly
I guess winter's finally here.

**************************


Read more... )

I just gotta be me

Nov. 29th, 2025 08:00 pm
petra: Cartoon of Shakespeare saying, "Read my latest, it is god damn glorious." (Beaton - Shakespeare)
[personal profile] petra
There is currently a meme going around Tumblr of looking at the AO3 to see which of one's fanworks has the fewest hits. Mine is currently a drabble of Shakespeare/Marlowe titled from Stephen Sondheim.

As Jack points out, said fanwork could only be more on-brand for me if it involved mentor/student or one person/everyone else.

BRB, contemplating Kit/everybody and/or Will/everybody.

Oh thank goodness, I have the right icon for this post!

(no subject)

Nov. 29th, 2025 07:24 pm
watersword: A woman typing on a laptop next to a window (on a train, perhaps?) (Geek: hardware)
[personal profile] watersword

Finally committed to buying myself some solid gold flatback earrings that I can keep in, and got the Maison Miru pavé lightning bar pair, which are almost identical to the Mateo bypass studs, except not diamonds, and about 20% of the price. (Christ, when I bookmarked those earrings, they were almost a hundred dollars cheaper.) I have managed to get them into my ears all by myself (look, I didn't get my ears pierced until I was 30, and push pin flat backs are even harder), and I am pleased to report that they are delicate and sparkly and I look forward to wearing them for the foreseeable future.

It's a shame that Saturday is my long cardio session at the gym, because damn does my hair look great on Sundays, when it is clean but the curl has fallen out juuuuust enough that the ringlets don't look fake. (My natural curl texture in the front is, genuinely, Shirley Temple curls. It is absurd.)

I have made cranberry-apricot cake and poppyseed cake and am restraining myself from making a miso-maple cake. The cod with artichokes and saffron broth did defeat the bag of artichokes that had been in the freezer since the dawn of time, but I actually think the broth isn't great — oddly bitter? — and won't be making it again. (I have leftovers and will eat them, but I won't be happy about it. Thank goodness I didn't waste the second cod fillet on this.) The pesto + white beans, on the other hand, were delicious and will become a new staple.

Sir Tom Stoppard's death is extremely upsetting and I am watching "Shakespeare in Love," "Enigma," and "Rosencrantz and Guildernstern are Dead" and reading Arcadia, The Invention of Love, and The Coast of Utopia about it. And re-reading the cricket bat speech from The Real Thing.

petra: Two men in beat-up Elizabethan garb. (Ros and Guil - Extras)
[personal profile] petra
It is definitely time for the ceremonial Watching of the Comfort Movie.

RIP, Tom Stoppard. And may you not have to do it all over again and again and again, because life is neither a rehearsal nor a play.

How is it almost December

Nov. 29th, 2025 02:37 pm
sholio: glittery Christmas ornaments (Christmas ornament 2)
[personal profile] sholio
I signed up for [community profile] rec_cember, a new reccing challenge comm for posting recs in December. I am going to at least TRY posting bite-sized daily recs, but my track record at daily anything is pretty dismal, so it might turn into weekly posts. I'll make an effort to do roundup posts over at [community profile] recthething as well.

This will probably be mostly Murderbot and Babylon 5 (also Biggles? is there any point to posting Biggles recs, in a fandom that small where everyone has probably read anything they're interested in already?). I've actually got a B5 question. I still hope to drag some of you into watching it with me if possible, but I don't want to spoil any potential watchers for major developments in the series, which is really best unspoiled (if you are inclined to enjoy things that way) and doing recs in this particular way is probably going to be spoilergeddon.

So I am curious if people care about this or not.

Open to: Registered Users, detailed results viewable to: Just the Poll Creator, participants: 15

Would you like me to put Babylon 5 spoilers under a cut?

Yes please, that would be appreciated.
2 (13.3%)

I would prefer that you don't, so I can read everything without clicking a cut.
1 (6.7%)

No preference/answer too complex for your binary boxes.
12 (80.0%)



(Results are viewable only to me, so you're not committing yourself publicly to watching the show or anything. I would just like to know if there's any particular reason to be careful about spoiler-cuts or if it doesn't matter all that much at this point.)

And me? Well, I'm just the narrator

Nov. 29th, 2025 02:17 pm
sovay: (PJ Harvey: crow)
[personal profile] sovay
If you knew the algorithm and fed it back say ten thousand times, each time there'd be a dot somewhere on the screen. You'd never know where to expect the next dot. But gradually you'd start to see this shape, because every dot will be inside the shape of this leaf. It wouldn't be a leaf, it would be a mathematical object. But yes. The unpredictable and the predetermined unfold together to make everything the way it is. It's how nature creates itself, on every scale, the snowflake and the snowstorm. It makes me so happy. To be at the beginning again, knowing almost nothing. People were talking about the end of physics. Relativity and quantum looked as if they were going to clean out the whole problem between them. A theory of everything. But they only explained the very big and the very small. The universe, the elementary particles. The ordinary-sized stuff which is our lives, the things people write poetry about – clouds – daffodils – waterfalls – and what happens in a cup of coffee when the cream goes in – these things are full of mystery, as mysterious to us as the heavens were to the Greeks. We're better at predicting events at the edge of the galaxy or inside the nucleus of an atom than whether it'll rain on auntie's garden party three Sundays from now. Because the problem turns out to be different. We can't even predict the next drip from a dripping tap when it gets irregular. Each drip sets up the conditions for the next, the smallest variation blows prediction apart, and the weather is unpredictable the same way, will always be unpredictable. When you push the numbers through the computer you can see it on the screen. The future is disorder. A door like this has cracked open five or six times since we got up on our hind legs. It's the best possible time to be alive, when almost everything you thought you knew is wrong.

Tom Stoppard, Arcadia (1993)
thisbluespirit: (winslow boy)
[personal profile] thisbluespirit
Since I've been trying to watch (or listen to) all of the Rattigans lately, this seems like a good topic for a post!

Who was Rattigan?

Terence Rattigan (1911-1977) was an English playwright and screenwriter, whose most famous works are The Browning Version (1948), The Winslow Boy (1946), The Deep Blue Sea (1952) & Separate Tables (1954). His works are usually sharply observed, low-key character pieces, mostly v middle-class background*, one of a combination of factors that caused him to fall from favour in the wake of Osborne's Look Back in Anger in the 50s. He wrote for (low-brow!) cinema, radio and TV too, another factor. Since the 90s in particular he's been recognised as one of the 20th C greats, via several major revivals of many of his works and you'd be hard pressed to find a year now when some major British theatre or other isn't putting on a Rattigan.

He was gay, which is evident in many of his plays, although usually more implicitly than explicitly - the most explicit use of a gay character, in Separate Tables, he censored himself prior to its Broadway performance. From 1998, though, happily, modern productions have usually restored the original version. The Browning Version isn't explicit, but is very much about queerness, too.

I came across him when my teacher gave us The Browning Version for A-Level, and instantly fell in love, even if it took me thirty-odd years to finally get up and try some of the rest of his plays. I think I was worried that they wouldn't be as good or would contain aspects that might spoil TBV for me - happily, as you can see, I needn't have worried!


What do I love about his works?

He's very much all about character pieces, especially small-scale, claustrophobic ones (which the theatre naturally tends towards), in a way that I really love.

His first success was the farce French Without Tears (1936), so between that and the screen-writing, he's a very easy watch, in the best sense - his dialogue says so much about character, and often still feels fresh, and he can do light comedy as well as the more serious pieces. You'll often find variations on mismatched marriages, moral choices, people from different positions finding understanding of each other, and trial by the media in one form or another. His characterisation is always well-rounded and complex.

The thing I love the most, though, is his characteristic trick of having so much of the mood or conclusion or character shift on a literal sixpence - one small item, or action, or change of point of view leads to an uplift of hope we didn't expect - and on rare occasions, the reverse, acting as the last spiteful straw. The gift of a book, the discovery of a letter, love of art - how big small things can be to us humans.

I'll talk about specific plays if I carry on with this meme, I'm sure, but I definitely think he's worth trying out if you haven't already. There are a range of adaptations around, new and old, (TV, film, Radio, some of which he wrote the screenplays for himself), as well as current theatre productions.

The National Theatre has a really nice little two-part intro to five of his major works (spoilery, though, as ever with these things) - I presume this means they have some Rattigans on their At Home service, too. If you wanted to try a live production, The Winslow Boy or The Browning Version are particularly good starting places.

(Warnings - not many! He's not a bleak writer at all as a rule, but suicide does crop up in various ways in After the Dance, The Deep Blue Sea and Man and Boy, and In Praise of Love has a character with a terminal illness - leukaemia, which he had himself).

The last thing of his I watched was Heart to Heart, a 1962 BBC TV screenplay written to launch one of their anthologies - it deals again with mismatched marriages, trial by the media, and an attempt to do the right thing that isn't very successful, but at the end, the main character, learning that out of nearly 300 people who phoned into the TV station after a broadcast, 3 of them got the point: "That's something," he says. "They must be very interesting people."

How very Rattigan. ♥



* He attended Harrow, although wiki, if it is to be believed, says that while he was there, he was in its Officer Training Course and started a mutiny, which is brilliant if it's true. <3

30 in 30: Stargate SG-1

Nov. 29th, 2025 12:09 pm
senmut: an owl that is quite large sitting on a roof (Default)
[personal profile] senmut
AO3 Link | Objectives (100 words) by Merfilly
Chapters: 1/1
Fandom: Stargate SG-1
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Vala Mal Doran & Teal'c
Characters: Vala Mal Doran, Teal'c [Stargate]
Additional Tags: Drabble, Fluff
Summary:

Vala knows what she wants






"I would not, if I were you."

Vala jerked her hand back from the all-too inviting piece of death-by-chocolate cake. She looked innocently over at Teal'c, who had not even opened his eyes.

"How do you do that?" she asked, genuinely curious.

"You have mass. You displace air."

"But I move slow!" she defended with a pout.

"You also have become fond of a specific perfume."

"Oh."

He did move then, eyes opening, all solid grace, and he split the slice. "I will share," he offered.

Vala smiled, and moved to his side to do so.

"You are the best."

Stray things

Nov. 29th, 2025 05:25 pm
oursin: Brush the Wandering Hedgehog by the fire (Default)
[personal profile] oursin

I suppose it's remotely possible that there's someone with a similar name to mine for whom this would be a relevant conference:

The ITISE 2026 (12th International conference on Time Series and Forecasting) seeks to provide a discussion forum for scientists, engineers, educators and students about the latest ideas and realizations in the foundations, theory, models and applications for interdisciplinary and multidisciplinary research encompassing disciplines of mathematics, econometric, statistics, forecaster, computer science, etc in the field of time series analysis and forecasting.

in Gran Canaria. But this looks like another of those dubious conferences spamming people very generally.

***

I have discovered a new 'offputting phrase that, found in blurb, causes you to put the book down as if radioactive': 'this gargantuan work of supernatural existentialism' - even without the name of the author - Karl Ove Knausgård - who has apparently moved on from interminable autofiction to interminable this.

***

A certain Mr JJ, that purports to be an Art Critick, on long history of artistic rivalries (between Bloke Artists, natch):

Shunning competition makes the Turner Prize feel pointless. It may be why there are no more art heroes any more.
Artistic competition goes to the essence of critical discrimination. TS Eliot said someone who liked all poetry would be very dull to talk to about poetry. Double header exhibitions that rake up old rivalries are not shallow, but help us all be critics and understand that loving means choosing. If you come out of Turner and Constable admiring both artists equally, you probably haven’t truly felt either. And if you prefer Constable, it’s pistols at dawn.

Let us be polyamorous in our artistic tastes, shall we?

***

I rather loved this by Lucy Mangan, and will be adopting the term 'frothers' forthwith:

I like to grab a cup of warm cider and settle down with as many gift guides as I can and enjoy the rage they fuel among people who have misunderstood what many might feel was the fairly simple concept of gift guides entirely. I am particularly fond of people who look at a list headed, say, “Stocking stuffers for under £50” and respond by commenting on how £50 is a ridiculous amount of money to be spending on a stocking stuffer. They are closely followed in my pantheon of greats by those who see something like “25 affordable luxuries for loved ones” and can only type “Affordable BY WHOM?!?!” before falling to the ground in a paroxysm of ill-founded self-righteousness. On and on it goes. I love it. Never change, frothers. You are the gift that keeps on giving.

***

Further to that expose of freebirthers, A concerned NHS midwife responds to an article about the Free Birth Society

(no subject)

Nov. 29th, 2025 12:28 pm
oursin: Brush the Wandering Hedgehog by the fire (Default)
[personal profile] oursin
Happy birthday, [personal profile] ethelmay!
highlyeccentric: Arthur (BBC Merlin) - text: "SRSLY" (SRSLY)
[personal profile] highlyeccentric

From The Mandarin: Santow tips the bucket on AI slop

In a landmark speech delivered to the Sir Vincent Fairfax Oration in Sydney on Thursday, former human rights commissioner and now sought-after ethical adviser and academic Ed Santow delivered a serious wake-up call to assorted artificial intelligence cheer squad leaders and positivity meme flunkies.

Santow is positive about AI but also highly aware of its impact on societal functions, governance, and culture.

In a tightly woven speech that planted a deep stake in the necessity of the retention of knowledge and memory, Santow argued that “history matters on its own terms”, and its interpretation is also powering the next version of what we know as language models dip into the well.

“As AI disrupts our economy, politics, society and environment, I will make three arguments today:

AI might seem like it comes from the future, but it learns from the past, and so it also anchors us to that past.
Our history — or rather our choices about the versions of history that are recorded and remembered — influences how AI takes shape.
It is not enough that we expose AI systems to a ‘more accurate’ view of history; we must also draw the right lessons from history if we are to avoid repeating the mistakes and injustices of the past,” Santow said.
Exposure of AI to better feedstock is a difficult topic because, in large part, it assumes that the quality of inputs will self-correct problematic outputs. Yeah nah.

“Throughout history, we have built machines that are born like Venus — fully formed. When a car rolls off the production line, all it needs is a twist of a key or the press of a button, and it will work as intended. This is not true of AI,” Santow argued.

“AI systems start as ignorant as a newborn — perhaps even more so. A baby will search for its mother’s breast even before the baby can see. An AI system possesses none of a baby’s genetic instincts. Nothing can be assumed. All knowledge must be learned. The process of teaching an AI system — known as ‘machine learning’ — involves exposing the machine to our world.”

There’s a further problem, too, and it’s a systemic one. As internet pioneers like Vint Cerf noted, the great tech behemoth has trouble retaining both memory and history.

“The regime that should be in place [is] one in which old software is preserved; hardware can be emulated in the files so we can run old operating systems and old software so we can actually do something with the digital objects that have been captured and stored,” Cerf said in 2018.

“Think of all the papers we read now, especially academic papers that have URL references. Think about what happens 10, 20, 50 years from now when those don’t resolve anymore because the domain names were abandoned or someone forgot to pay the rent.”

That’s now happening.

But the warnings are at least a decade old.






I am wary of the about-face in my thinking on Large Language Models. Right through my time in lit academia, I was unusually positive about LLM and its uses in my field. I do not have the skillset, for instance, to work with or for Digipal, but I find their stuff REALLY COOL. It was something of a frustration to my mentors (and me, tbh) that the kind of literary scholarship I wanted to do just... didn't call for these kinds of digital tools. Even in the literary composition realm - while I encountered some truly un-informed uses of LMMs - I was significantly more willing than most literature scholars to believe that LLM linguistics could make findings as to authorship, at least on a "more likely than not" level.

In part, that is because in first-year English I was assigned some readings (in a sub-unit module on functional linguistics for literary studies) which looked at how forensic linguistics, focused not only on easily-identifiable dialect words but on patterns of "filler" words and sentence structure, had demonstrated throughout the 90s that Australian police were influencing interview records, particularly from Indigenous subjects, in ways which ranged from outright fabrication to shaping/skewing interview reports.** The case made by pragmatics is that individual speakers' uses of function words, sentence structure, etc, are shaped by context (e.g. are you or are you not a policeman), but can also, with sufficient corpus, be distinguished among individuals. I don't really see any reason to suppose that Billy Shakes is any more unique than the wrongfully convicted Mr Kelvin Condren, or that imitators of/collaborators with Billy Shakes would be less detectable to an algorithm than false police reports. Oh, there are other factors - can't use punctuation for early modern texts, because the printers did that part; medieval texts have layers of author, scribe, oral retellings and subsequent copyings, etc. I've never yet encountered such an identification that I'd hang my hat on as absolutely conclusive out of nowhere, but such studies never come out of nowhere and texts always have some context you can look at. Likely enough to work with? Sure.

I am very wary, therefore, of my current tendency to reskeet dunkings upon AI, sweeping statements about the "word association machine", etc. There are, in addition to fascinating historical uses of LLMs, very important practical ones! I would like to see those continue and be improved upon!***

I don't think I'm 100% wrong about generative LLMs producing "slop" at the moment, that's pretty clear. But I am concerned that I'm plugged in to a social media feed of academics and wonks who not only see all the current problems but also seem to be unaware of or walking back on the previously attested promising uses. So. I am not recirculating nearly as much as I read, and I am trying to weight my reading via sources like The Mandarin, rather than via Academics Despairing or other versions of the BlueSky Hot Take mill.

The article above says that Santow is "positive about AI". I rather wish it had covered what Santow is positive about, because from what they've quoted from him as to the things to be wary of, he seems to have a nuanced grip on things.

* A stand-out was a linguist using the out-of-copyright editions in the Corpus of Middle English Prose and Verse, apparently unaware how much editorial shaping went into them, or that they are not at all up-to-date, or, upon quizzing by one of my colleagues, that the poetic texts might predate the manuscripts and differ significantly from spoken English at the time of the manuscript composition while also not reflecting spoken English of the putative poem composition date.

** I don't have my 2005 syllabi to hand anymore, more fool me. I do not think that the article we were given was Diana Eades, "The case for Condren: Aboriginal English, pragmatics and the law", Journal of Pragmatics 20.2 (1993) 141-162, but it definitely cited that article and Condren's case. Condren is a QLD case and I think the article I read was about a cohort of WA police transcripts - but that article I just cited is useful in that it has a good-enough overview in the unpaywalled abstract to illustrate my point.

*** For instance, PHREDSS, the system which monitors presentations to NSW emergency departments and produces a read-out with alerts of Public Health Interest, is an LLM. You can find a fairly readable evaluation of its use in regional NSW in relation to large gatherings and public health disaster response on the Department of Health and Aging's website. What I know from my Sources in stats is that the surveilance model is designed specifically for how emergency departments use language and record presentations, and then even the simplest-seeming uses for public health are looked at by experts in both this kind of stats, and epidemology.
The example I was given by my Sources was "pneumonia": in 2020, every day our good friend PHREDSS delivered unto the NSW government its ED data, tagged by presenting condition and location. Pneumonia was a leading indicator for COVID-19 at the time. However, someone has to check and weed out the "person didn't actually drown but they got water on the lungs" kind of pneumonia. (Given what I now know about the frequency of aspiration risks in the elderly and people with chronic illnesses, it's not going to be the surfing accidents that are the main reason you need a human to look at it: it's that if you get a statistical spike in pneumonia admissions from aged care homes in X region, you could be looking at a viral outbreak or you could be looking at some systemic failure of care leading to a whole bunch of elderly people aspirating and it not being addressed appropriately, leading to pneumonia.) This 2015 article looks at the ED-side data capture problems relating to "alcohol syndrome", and whether such data has "positive predictive" value for public health, if this sort of thing tickles your brain.

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